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Santiago Garcia Galvan

Santiago Garcia Galvan

Producer, also writer

Film producer and entertainment entrepreneur He studied Filmmaking and visual arts in the university of arts and entertainment of Madrid TAI. He has a masters degree on business in the entertainment industries. "I started working in Film 20 years ago, I believed then and I still believe now that content creation and curation are both the present and the future, in the past 10 years we been living a renaissance in media and entertainment. In Latin America I have had the privilege to be part of a pioneer generation, together we have contributed to the creation and evolution of a content industry in the region." In 2018 he was awarded with an Honorary Doctorate from the American Cultural Institute for his contribution to culture in Latin America. He has produced and collaborated with the production of more than 60 titles as producer and executive producer. Between 2006 and 2010 he produced and collaborated as an executive producer in 4 films, "Under the same Moon" premier at Sundance 2007 and established a record in sales that year, "Tequila: Story of a passion", released by Universal Pictures, "Prelude" and "Havanyork". In 2010, along with prominent and prolific entrepreneur Alex Garcia, co-founded Itaca Films in Mexico, one of the lead production companies in Latin America. And was instrumental in the creation and management of the prestigious group AG Studios from 2010 to 2017. Developing several lines of business including Itaca Digital, a company devoted to the creation of new platforms and digital content. Between 2010 and 2015, Itaca Films besides opening offices in Brazil, Colombia and the US has produced, between the 4 countries, more than 80 films and Tv titles, from which Santiago has been directly involved in the production. Among them, "The Snitch Cartel", a box office hit in Mexico, Colombia and Venezuela. Three films from director Alfonso Pineda Ulloa: "Diminished", "Demon inside" and "The Jesuit", this last one written by the awarded screenwriter Paul Schrader (Taxi Driver y Raging Bull). "Sugar Kisses" by Carlos Cuarón, Guillermo Arriaga's "God's Blood", fragment for the coral project "Words With Gods". Manolo Caro's first three films, "I don't know whether to slit my wrists or leave them long, "Love of my Life" and "Elvira, I'd give you my life but I'm using it". In co-production with Los Güeros Films he produced "Grandma's Birthday" and "What we could've been". Also, "Captive" a film by Jerry Jameson starred by Kate Mara y David Oyelowo, film that was acquired worldwide by Paramount Pictures. "Flying Low" by Beto Gómez, "Medeas" directed Andrea Pallaoro, awarded in the 2014 Venice Film Festival and 12 other festivals. Among the most significant titles are, "Crow's Nest", from Arturo Menéndez, first feature film produced in El Salvador since 1969 and the first Mexico-Cuba coproduction in the last decade: "Fatima y el parque de la fraternidad", directed by Jorge Perrugorría and written by Miguel Barnet. He produced the directorial debut from academy award nominee Demián Bichir: "Un Cuento de Circo & a Love Song", filmed in México and Nueva Orleans. "Bound to Vengeance", second feature film from José Manuel Cravioto that had its international premiere in Sundance 2015, "Charity", Marcelino Islas's second film, "Meadowland" first film from Reed Morano, starred by Olivia Wilde and Luke Wilson, "Semana Santa" premiered in Toronto in 2015. Santiago worked as an executive producer for Jonas Cuaron's second feature "Desierto", that was awarded with the prestigious FIPRESCI award in the 2015 Toronto International Film Festivaln Luminus Award from Canacine. Distributed by STX in the U.S. Also produced the comedy "Hypnotized filmed in Nueva Orleans premiered in Arte Careyes in 2019 He has continued his work in Cuba producing a feature documentary "Jardines de la reina" also directed by Perugorria, and Arturo Soto's latest film Nido de Mantis that premiered in Havana film festival in 2018. He was a coproducer for the independent films Asfixia, EL deseo de Ana and Feral all 3 awarded several prices in festivals In 2019. In 2019 Santiago Co-Founded "Feel Good Films" along with Fernando Perez Gavilan and in 2020 produced "Guerra de Likes", "25KMH" "Tequila Repasado" for Sony pictures international productions. With Itaca in 2020 coproduced "Blackout" and Nick Cassavete's "God is a Bullet" with Patriot pictures. As a TV producer, he has produced 1st season (12 episodes) of "Dios Inc" fiction series for HBO Latin America. 1st season (9 episodes) of Crónica de Castas Tv. Series commissioned by Canal 11 in Mexico. And actively collaborates with the Netflix show Cheff's Table in Latin America in several seasons including producing the episode for Enrique Olvera. Santiago has worked for international productions as Itaca Films's production executive on "Fast and furious 8" and Transformers 5" in Havana, Cuba. Contributing to accomplish a historical cultural collaboration between the US and Cuba. Receiving an award in Gibara Film Festival for the cultural contribution to Cuban cinema. He has been an entrepreneur on the entertainment industry from music to films, television, events and also new concepts of hosting in companies like Deco Housing, a company devoted to provide unique experiences for travelers looking for art content in Mexico City. The opening of a gran venue for art projects Rio 54 on the emblematic Plaza Rio de Janeiro in colonia Roma. Out of his passion for food and arts he has been a patron of the arts for several emerging artists, he has open Restaurants and endorsed the image of different cheffs like Joaquin Cardoso and Sofia Cortina. He has collaborated in the curation of content for several cultural events like Arte Careyes. He is developing a methodology strategy called "production thinking", and he uses it in all of his projects. In 2017 he was recognized as one of the 50 most creative Mexicans by Forbes Magazine. In 2015 He spoke in Ted X Havana about his idea of the best way that Latin Americans can project an image that can generate progress. For the past 5 years has been actively developing different platforms and ideas to curate content on a larger scale, to help users find the right content for them on different moments, to improve the image of Latin America and change the perception putting the attention on what matters most. "The trip is more important than the destination"

Read more

Biography from IMDb.

Works as
Producer, also writer
Titles
29 on MovieCove

What are Santiago Garcia Galvan's films like?

Across their 29 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

What they feel like to watch

their average across 28 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 10 · Serious 5 · Dark 13

Grounded 19 · Stylized 9 · Heightened 0

Gentle 6 · Charged 14 · Intense 8

A split, not a type: Steady 13 · Shifting 12 · Whiplash 3

Straight-faced 18 · Some laughs 6 · Funny 4

Slow burn 12 · Even-paced 12 · Relentless 4

Casual 15 · Engaged 12 · Full focus 1

Easy watch 6 · Affecting 11 · Heavy 11

Resolved 22 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
19
Dread
10
Warm
8
Melancholic
11
Hopeful
10
Other
21

How their films end · 8 with a twist

  • Happy3
  • Bittersweet17
  • Tragic1
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Santiago Garcia Galvan's films?

As of October 24, 2026, 16 of their 29 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Santiago Garcia Galvan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 29 with a MovieCove page.

  • Midcredits score: 54th percentile of all films
  • Girl Dad(2026)

    Producer

    Midcredits score: 66th percentile of all films (provisional, few ratings)
  • Hombre al agua(2026)

    Producer

    Midcredits score: 42nd percentile of all films
  • Societies by Accident(2026)

    Producer

    Midcredits score: 60th percentile of all films
  • Caught Stealing(2025)

    Producer

    Midcredits score: 75th percentile of all films
  • Midcredits score: 27th percentile of all films
  • Night Shift(2024)

    Producer

    Midcredits score: 17th percentile of all films
  • All the Places(2023)

    Producer

    Midcredits score: 36th percentile of all films
  • Divine Intervention(2023)

    Producer · Writer

    Midcredits score: 33rd percentile of all films
  • God Is a Bullet(2023)

    Producer

    Midcredits score: 38th percentile of all films
  • Murder City(2023)

    Producer

    Midcredits score: 45th percentile of all films
  • Blackout(2022)

    Producer

    Midcredits score: 3rd percentile of all films
  • There Are No Saints(2022)

    Producer

    Midcredits score: 22nd percentile of all films
  • Guerra de likes(2021)

    Producer

    Midcredits score: 35th percentile of all films
  • Asfixia(2019)

    Producer

    Midcredits score: 62nd percentile of all films
  • Sky Poets(2019)

    Producer

    Midcredits score: 80th percentile of all films (provisional, few ratings)
  • Ana y Bruno(2017)

    Producer

    Midcredits score: 80th percentile of all films
  • Captive(2015)

    Producer

    Midcredits score: 18th percentile of all films
  • Chef's Table(2015)

    Show Producer

    Midcredits score: 96th percentile of all shows
  • Desierto(2015)

    Producer

    Midcredits score: 42nd percentile of all films
  • Las Aparicio(2015)

    Producer

    Midcredits score: 26th percentile of all films
  • Meadowland(2015)

    Producer

    Midcredits score: 41st percentile of all films
  • Love of My Loves(2014)

    Producer

    Midcredits score: 55th percentile of all films
  • Demon Inside(2013)

    Producer

    Midcredits score: 15th percentile of all films
  • Midcredits score: 77th percentile of all films
  • Sugar Kisses(2013)

    Producer

    Midcredits score: 62nd percentile of all films
  • Tequila(2011)

    Producer

    Midcredits score: 30th percentile of all films
  • The Snitch Cartel(2011)

    Producer

    Midcredits score: 60th percentile of all films
  • Under the Same Moon(2007)

    Producer

    Midcredits score: 89th percentile of all films

Career shape

Across their 29 MovieCove titles from 2007 to 2026.

By role

only this rolewith another role
Writing1 of 29: 0 only writing, 1 with another roleProducing29 of 29: 28 only producing, 1 with another role · typical Midcredits score42nd

By decade

2000s1 · crew2010s14 · crew2020s14 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Santiago Garcia Galvan's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 28; across their 28 films with reception data, the typical film sits in the 49th percentile for acclaim.

Acclaim · how much people like their films

49thpercentile
Typical film, the median of 28

Approval · how many liked their films

45thpercentile
Typical film, the median of 28

Reach · how many have seen their films

69thpercentile
Typical film, the median of 28

Midcredits score across 29 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th11
  • Below 25th5

Shape of the crowd

15 of their 29 titles are Mixed.

  • Universally Loved2
  • Universally Panned1
  • Divisive1
  • Cult Classic4
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed15

Reviewers score the dialogue 42/100 and the plot and story 38/100 in their films, across 17 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Santiago Garcia Galvan's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore and sex & nudity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles37–89 · median 86 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles21–57 · median 48 · moderateheavier than most filmsMedian of all films: 32
Profanity4 titlesmedian 81 · severeMedian of all films: 36
Frightening / Intense3 titlesmedian 72 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Santiago Garcia Galvan work with?

People who share at least 2 of Santiago Garcia Galvan's MovieCove titles, grouped by what they did on them; Alex Garcia shares the most, 13.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers