- Editor
- 15 on MovieCove · 18 credits in all
What are Anthony Boys' films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
A split, not a type: Ironic 3 · Wry 1 · Earnest 3
Light 5 · Serious 2 · Dark 0
A split, not a type: Grounded 5 · Stylized 1 · Heightened 1
Gentle 2 · Charged 4 · Intense 1
Steady 1 · Shifting 5 · Whiplash 1
Straight-faced 0 · Some laughs 2 · Funny 5
Slow burn 1 · Even-paced 6 · Relentless 0
Casual 5 · Engaged 1 · Full focus 1
Easy watch 5 · Affecting 1 · Heavy 1
Resolved 5 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet3
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Anthony Boys' films?
As of October 24, 2026, 14 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Anthony Boys' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 15 with a MovieCove page.
The Invite(2026)
Midcredits score: 92nd percentile of all films
Bait(2026)
Midcredits score: 41st percentile of all shows
Bodkin(2024)
Midcredits score: 44th percentile of all shows
Mammals(2022)
Midcredits score: 16th percentile of all shows
Made in Italy(2020)
Midcredits score: 42nd percentile of all films
The Great(2020)
Midcredits score: 93rd percentile of all shows
Run(2020)
Midcredits score: 17th percentile of all shows
The Hustle(2019)
Midcredits score: 24th percentile of all films
The Con is On(2018)
Midcredits score: 19th percentile of all films
Midcredits score: 98th percentile of all shows
Midcredits score: 27th percentile of all films
Kicking Off(2015)
Midcredits score: 6th percentile of all films
Crims (not in the MovieCove catalog yet)(2015)
Svengali (not in the MovieCove catalog yet)(2013)
Fresh Meat(2011)
Midcredits score: 84th percentile of all shows
Spy(2011)
Midcredits score: 85th percentile of all shows
In the Loop(2009)
Midcredits score: 92nd percentile of all films
Spinners and Losers (not in the MovieCove catalog yet)(2007)
Career shape
A full career of 16 titles from 2007 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
Nominated for a BAFTA Award in 2013, Best Editing: Fiction.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Anthony Boys' films land?
Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 30th percentile for acclaim.
- 75th and up6
- 25th to 49th4
- Below 25th5
Shape of the crowd
6 of their 15 titles are Mixed.
- Universally Loved2
- Cult Classic1
- Crowd Pleaser4
- Broadly Agreed2
- Mixed6
Reviewers score the pacing 47/100 in their films, across 7 reviewed titles; fans 65, detractors 30. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Anthony Boys' work okay for kids?
Across up to 8 MovieCove titles with content scores, profanity runs heavier than most films and violence & gore lighter.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Anthony Boys work with?
People who share at least 2 of Anthony Boys' MovieCove titles, grouped by what they did on them; Billy Sneddon shares the most, 2.
Editors
- Billy SneddonShared titles: Absolutely Fabulous: The Movie (2016), In the Loop (2009)See all 2 shared titles with Billy Sneddon
Producers
- Daniel HankShared titles: Run (2020), In the Loop (2009)See all 2 shared titles with Daniel Hank
- Christine LanganShared titles: Absolutely Fabulous: The Movie (2016), In the Loop (2009)See all 2 shared titles with Christine Langan
Mixed roles
- Chris AddisonShared titles: The Hustle (2019), In the Loop (2009)See all 2 shared titles with Chris Addison
