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Mike Cuenca is a Cuban-American filmmaker, writer, editor, producer, composer, and musician known for his independent, self-financed approach to filmmaking. His feature films include Watch Them Come Blood, Boys About Town, In The Ditch, I'll Be Around, Odium For Ardor, and Like A Dirty French Novel. Cuenca has developed a reputation for creating films outside the traditional studio system using non actors, small crews, and DIY production methods. His long running film series "Boys About Town" was developed over several years with a collective of collaborators across Los Angeles. In addition to his filmmaking work, Cuenca serves as a video producer for the American Cinematheque. His screenplay "So Goes the Night" was a finalist in the 2020 American Zoetrope screenplay competition.

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Biography from IMDb.

Works as
Director, editor, producer, writer, actor and composer
Titles
4 on MovieCove

What are Mike Cuenca's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 1 · Wry 0 · Earnest 3

A split, not a type: Light 3 · Serious 0 · Dark 1

Grounded 0 · Stylized 3 · Heightened 1

Gentle 1 · Charged 2 · Intense 1

Steady 0 · Shifting 3 · Whiplash 1

A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 3

Slow burn 0 · Even-paced 4 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 0 · Open-ended 4 · Ambiguous 0

Roles they play

1 analyzed role

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
3
Tense
4
Dread
1
Thrilling
2
Contemplative
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mike Cuenca's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Mike Cuenca's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Watch Them Come Blood(2024)

    Director · Editor · Producer · Writer

    Midcredits score: 4th percentile of all films
  • Like a Dirty French Novel(2021)

    Director · Composer · Editor · Producer · Writer · as Filmore Demille

    Midcredits score: 7th percentile of all films (provisional, few ratings)
  • By the Wayside(2012)

    Director · Editor · Producer · Writer · as Sam

    Midcredits score: 13th percentile of all films (provisional, few ratings)
  • Jerry Powell & the Delusions of Grandeur(2011)

    Director · Composer · Editor · Producer · Writer

    Midcredits score: 46th percentile of all films (provisional, few ratings)

Career shape

Across a limited sample of 4 MovieCove titles from 2011 to 2024.

By role

only this rolewith another role
Acting2 of 4: 0 only acting, 2 with another roleDirecting4 of 4: 0 only directing, 4 with another roleWriting4 of 4: 0 only writing, 4 with another roleProducing4 of 4: 0 only producing, 4 with another roleMusic2 of 4: 0 only music, 2 with another roleEditing4 of 4: 0 only editing, 4 with another role

4 titles, 4 with more than one role — directing and editing overlap on 4 of them.

By decade

2010s2 · 1 acting · 2 crew2020s2 · 1 acting · 2 crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Mike Cuenca's films land?

Their typical MovieCove film has a Midcredits score in the 10th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 11th percentile for acclaim.

Acclaim · how much people like their films

11thpercentile
Typical film, the median of 4

Approval · how many liked their films

13thpercentile
Typical film, the median of 4

Reach · how many have seen their films

5thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 25th to 49th1
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mike Cuenca work with?

People who share at least 2 of Mike Cuenca's MovieCove titles, grouped by what they did on them; Joey Halter shares the most, 4.

Writers

Actors

Cinematographers