Alejandro Sugich / CEO Sula Entertainment: Producer, Director, Writer. Alejandro founded the film production company Sulafilms in 2008, the film and VR distribution company Neverlanding Pictures in 2014 and the same year he co-founded Sumo Studio, a 360 and Virtual Reality production company. In 2021 established Sula Entertainment, a holding company that seeks to unify its entertainment companies into one. Sugich is a member of Nalip, Canacine and he is the current the Entertainment Vice President of the International Quorum of Motion Picture Producers (IQfilm.org) Alejandro Sugich is a Producer, Director and Writer known for Casi Treinta (2014), Los Jefes (2015), Prometo no Enamorarme (2017), Menéndez: El día del Señor (2020) and Los Hermanos Salvador (2022).
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Biography from IMDb.
- September 7, 1977 (49)
- Ciudad Obregon, Sonora, Mexico
- Producer, director and writer
- 7 on MovieCove · 12 credits in all
Known for
What are Alejandro Sugich's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 1 · Serious 1 · Dark 4
Grounded 3 · Stylized 3 · Heightened 0
A split, not a type: Gentle 1 · Charged 2 · Intense 3
A split, not a type: Steady 1 · Shifting 2 · Whiplash 3
Straight-faced 2 · Some laughs 4 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 1
Casual 1 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 3
Resolved 4 · Open-ended 1 · Ambiguous 1
Moods and endings
- Bittersweet4
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alejandro Sugich's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Netflix (2).
Subscription and free streaming for Alejandro Sugich's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 7 with a MovieCove page.
Les roches rouges(2026)
Midcredits score: 54th percentile of all films
The Garden We Dreamed(2026)
Midcredits score: 83rd percentile of all films
Almost Paradise(2024)
Midcredits score: 66th percentile of all films
While the Masters Sleep (not in the MovieCove catalog yet)(2023)
Lost in the Night(2023)
Midcredits score: 42nd percentile of all films
Midcredits score: 27th percentile of all films
Los hermanos Salvador (not in the MovieCove catalog yet)(2022)
Midcredits score: 19th percentile of all films
Helena (not in the MovieCove catalog yet)(2018)
Los jefes(2015)
Midcredits score: 40th percentile of all films
Almost Thirty (not in the MovieCove catalog yet)(2013)
Borrar de la Memoria (not in the MovieCove catalog yet)(2010)
Career shape
A full career of 10 titles from 2010 to 2026.
Biggest box office
Almost Paradise (2024)
Highest rated
Almost Paradise (2024)
Most popular right now
Lost in the Night (2023)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alejandro Sugich's films land?
Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th3
- Below 25th1
Shape of the crowd
5 of their 7 titles are Mixed.
- Cult Classic1
- Crowd Pleaser1
- Mixed5
Reviewers score the atmosphere 73/100 and the pacing 42/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alejandro Sugich work with?
People who share at least 2 of Alejandro Sugich's MovieCove titles, grouped by what they did on them; Julieta Perales shares the most, 3.
Composers
- Kyle DixonShared titles: The Garden We Dreamed (2026), Lost in the Night (2023)See all 2 shared titles with Kyle Dixon
- Michael SteinShared titles: The Garden We Dreamed (2026), Lost in the Night (2023)See all 2 shared titles with Michael Stein
Producers
- Julieta PeralesShared titles: Lost in the Night (2023), The Strange Case of a Claustrophobic Ghost (2023), Menendez: The Day of the Lord (2020)See all 3 shared titles with Julieta Perales
- Fernanda de la PezaShared titles: The Garden We Dreamed (2026), Lost in the Night (2023)See all 2 shared titles with Fernanda de la Peza
- Beatriz Elena Herrera BoursShared titles: Lost in the Night (2023), Menendez: The Day of the Lord (2020)See all 2 shared titles with Beatriz Elena Herrera Bours
- Edgar LeónShared titles: The Strange Case of a Claustrophobic Ghost (2023), Menendez: The Day of the Lord (2020)See all 2 shared titles with Edgar León