Julia Karg

What are Julia Karg's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Julia Karg's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Julia Karg's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  No Hit Wonder(2025)

  Editor

  Midcredits score: 66th percentile of all films66^th
• 

  Haus aus Glas(2023)

  Show Editor

  Midcredits score: 33rd percentile of all shows33^rd
• 

  In a Land That No Longer Exists(2022)

  Editor

  Midcredits score: 49th percentile of all films49^th
• 

  Mülheim - Texas: Helge Schneider hier und dort(2015)

  Editor

  Midcredits score: 76th percentile of all films76^th
• 

  We Are Young. We Are Strong.(2014)

  Editor

  Midcredits score: 80th percentile of all films80^th

Career shape

Across their 5 MovieCove titles from 2014 to 2025.

Biggest box office

No Hit Wonder (2025)

$3.1M worldwide

Highest rated

We Are Young. We Are Strong. (2014)

Midcredits 80^th

Most popular right now

No Hit Wonder (2025)

How do Julia Karg's films land?

Their typical MovieCove film has a Midcredits score in the 71^st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 71^st percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

311

• Crowd Pleaser3
• Broadly Agreed1
• Mixed1

Most loved · editor

We Are Young. We Are Strong. (2014)

Midcredits 80^th · 72% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Julia Karg work with?

People who share at least 2 of Julia Karg's MovieCove titles, grouped by what they did on them; Bernd Hölscher shares the most, 2.