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Greg Kraus

Cinematographer, producer and editor

Works as
Cinematographer, producer and editor
Titles
8 on MovieCove · 12 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 27% in 30 days

What are Greg Kraus' films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Themes

share of theme weight
Self
28%
Survival
26%
Ideas
22%
Morality
15%
Bonds
9%
Survival4 titles, browse their movies with this themeTruth2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 2 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 4 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 4 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 3 · Engaged 2 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
4
Absurd
2
Contemplative
2
Romantic
1
Other
1

How their films linger

Thought-provoking3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy1
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Greg Kraus' films?

As of October 24, 2026, all 8 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Greg Kraus' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 8 with a MovieCove page.

  • Thy Will Be Done(2025)

    Cinematographer · Editor · Producer

    Midcredits score: 19th percentile of all films (provisional, few ratings)

  • Dead Slate: Beginnings (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • MindReader(2022)

    Gaffer

    Midcredits score: 46th percentile of all films

  • O9en Up(2022)

    Cinematographer · Editor · Producer

    Midcredits score: 1st percentile of all films

  • Worst. Christmas. Ever.(2020)

    Cinematographer

    Midcredits score: 17th percentile of all films

  • Moondance(2020)

    Cinematographer

    Midcredits score: 40th percentile of all films (provisional, few ratings)

  • Notes from Melanie (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • The Curse of Lilith Ratchet(2018)

    Cinematographer · Editor

    Midcredits score: 2nd percentile of all films

  • Fighting the Sky(2018)

    Cinematographer · Producer

    Midcredits score: 3rd percentile of all films

  • The Wind is Watching (not in the MovieCove catalog yet)(2014)

    Writer

  • Alone Yet Not Alone(2013)

    Camera Operator

    Midcredits score: 31st percentile of all films

  • Seven Days 'Till Midnight (not in the MovieCove catalog yet)

    Cinematographer · Producer

Career shape

A full career of 10 titles, 9 of them dated from 2013 to 2025.

Biggest box office

Moondance (2020)

$2.4K worldwide

Most popular right now

Moondance (2020)

By role

only this rolewith another role
Writing1 of 10: 1 only writing, 0 with another roleProducing2 of 10: 0 only producing, 2 with another roleCinematography7 of 10: 5 only cinematography, 2 with another roleEditing1 of 10: 0 only editing, 1 with another roleOther crew2 of 10: 2 only other crew, 0 with another role

By decade

2010s4 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Greg Kraus' films land?

Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 5th percentile for acclaim.

Acclaim · how much people like their films

5thpercentile
Typical film, the median of 6

Approval · how many liked their films

13thpercentile
Typical film, the median of 6

Reach · how many have seen their films

24thpercentile
Typical film, the median of 6

Midcredits score across 8 titles, by percentile

  • 25th to 49th3
  • Below 25th5

Shape of the crowd

4 of their 8 titles are Divisive.

  • Divisive4
  • Cult Classic1
  • Mixed3

Most divisive · producer, cinematographer, editor

Thy Will Be Done (2025)

98th percentile spread · 56% rated it 4 or lower

Most loved · cinematographer

Worst. Christmas. Ever. (2020)

Midcredits 17th · 36% liked

Reviewers score the cinematography 64/100 in their films, across 4 reviewed titles; fans 78, detractors 39. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Greg Kraus work with?

People who share at least 2 of Greg Kraus' MovieCove titles, grouped by what they did on them; KateLynn E. Newberry shares the most, 3.

Writers

Actors

Composers