- Editor, also producer and writer
- 8 on MovieCove · 24 credits in all
What are Hanna Lejonqvist's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Power and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 0 · Serious 3 · Dark 5
Grounded 8 · Stylized 0 · Heightened 0
Gentle 0 · Charged 6 · Intense 2
A split, not a type: Steady 4 · Shifting 3 · Whiplash 1
Straight-faced 7 · Some laughs 1 · Funny 0
Slow burn 6 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 4 · Full focus 2
Easy watch 0 · Affecting 3 · Heavy 5
Resolved 3 · Open-ended 5 · Ambiguous 0
Moods and endings
- Bittersweet6
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hanna Lejonqvist's films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Hanna Lejonqvist's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 8 with a MovieCove page.
Midcredits score: 76th percentile of all films
I Am Greta(2020)
Midcredits score: 57th percentile of all films
438 Days(2019)
Midcredits score: 76th percentile of all films
Scheme Birds(2019)
Midcredits score: 83rd percentile of all films
X&Y (not in the MovieCove catalog yet)(2018)

Alone in Space (not in the MovieCove catalog yet)(2018)
Midcredits score: 91st percentile of all films
Silvana (not in the MovieCove catalog yet)(2017)

Letters to a Serialkiller (not in the MovieCove catalog yet)(2017)

I Called Him Morgan(2016)
Midcredits score: 91st percentile of all films
The Hotel (not in the MovieCove catalog yet)(2016)

Tsatsiki, Dad and the Olive War (not in the MovieCove catalog yet)(2015)

My Skinny Sister(2015)
Midcredits score: 68th percentile of all films
Holkmannen (not in the MovieCove catalog yet)(2014)

Go Straight Home (not in the MovieCove catalog yet)(2013)
Six Days (not in the MovieCove catalog yet)(2013)

Palme (not in the MovieCove catalog yet)(2012)
Midcredits score: 94th percentile of all filmsYoghurt (not in the MovieCove catalog yet)(2010)

Dirty Diaries (not in the MovieCove catalog yet)(2009)
Elkland (not in the MovieCove catalog yet)(2009)

Not Like Others (not in the MovieCove catalog yet)(2008)
Between 11 and 12 (not in the MovieCove catalog yet)(2008)

Vakuum (not in the MovieCove catalog yet)(2006)
Career shape
A full career of 23 titles from 2006 to 2021.

Biggest box office
I Am Greta (2020)

Highest rated
The Black Power Mixtape 1967-1975 (2011)

Most popular right now
The Most Beautiful Boy in the World (2021)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Hanna Lejonqvist's films land?
Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 80th percentile for acclaim.
- 75th and up6
- 50th to 74th2
Shape of the crowd
7 of their 8 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser7
Reviewers score the pacing 48/100 in their films, across 6 reviewed titles; fans 54, detractors 35. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Hanna Lejonqvist work with?
People who share at least 2 of Hanna Lejonqvist's MovieCove titles, grouped by what they did on them; Dino Jonsäter shares the most, 2.
Composers, cinematographers and editors
- Dino JonsäterShared titles: The Most Beautiful Boy in the World (2021), I Called Him Morgan (2016)See all 2 shared titles with Dino Jonsäter

- Erik VallstenShared titles: The Most Beautiful Boy in the World (2021), I Called Him Morgan (2016)See all 2 shared titles with Erik Vallsten
- Jon EkstrandShared titles: I Am Greta (2020), 438 Days (2019)See all 2 shared titles with Jon Ekstrand
Producers
- Anette MattssonShared titles: The Most Beautiful Boy in the World (2021), Bergman: A Year in a Life (2018)See all 2 shared titles with Anette Mattsson

- Axel ArnöShared titles: I Am Greta (2020), The Black Power Mixtape 1967-1975 (2011)See all 2 shared titles with Axel Arnö
- Cecilia NessenShared titles: I Am Greta (2020), Bergman: A Year in a Life (2018)See all 2 shared titles with Cecilia Nessen
- Fredrik HeinigShared titles: I Am Greta (2020), Bergman: A Year in a Life (2018)See all 2 shared titles with Fredrik Heinig