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Margret H. Huddleston

Producer

Works as
Producer
Titles
46 on MovieCove · 47 credits in all
TMDB popularity, last 157 days to Oct 28Down 2% in 30 days

What are Margret H. Huddleston's films like?

Across their 46 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 46 films
ToneFeelDemandtheir average · filled zone: the category

Light 25 · Serious 12 · Dark 9

Grounded 43 · Stylized 2 · Heightened 1

A split, not a type: Gentle 22 · Charged 20 · Intense 4

Steady 25 · Shifting 16 · Whiplash 5

A split, not a type: Straight-faced 23 · Some laughs 21 · Funny 2

Slow burn 29 · Even-paced 15 · Relentless 2

Casual 31 · Engaged 14 · Full focus 1

Resolved 35 · Open-ended 9 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
24
Romantic
21
Warm
14
Dread
14
Hopeful
17
Other
38

How their films end · 14 with a twist

  • Happy23
  • Bittersweet12
  • Ambiguous11

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Margret H. Huddleston's films?

As of October 24, 2026, 33 of their 46 MovieCove titles stream on a subscription or free service, most on Tubi (17).

Subscription and free streaming for Margret H. Huddleston's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

47 credits, 46 with a MovieCove page.

  • An Alpine Holiday(2025)

    Executive Producer

    Midcredits score: 43rd percentile of all films
  • Champagne Problems(2025)

    Producer

    Midcredits score: 38th percentile of all films
  • Before We Forget(2024)

    Executive Producer

    Midcredits score: 85th percentile of all films
  • Christmas in the Spotlight(2024)

    Executive Producer

    Midcredits score: 32nd percentile of all films
  • A Very Vermont Christmas(2024)

    Executive Producer

    Midcredits score: 45th percentile of all films
  • Letters to Santa(2023)

    Executive Producer

    Midcredits score: 40th percentile of all films
  • The Noel Diary(2022)

    Producer

    Midcredits score: 47th percentile of all films
  • A Playful Romance(2021)

    Executive Producer

    Midcredits score: 32nd percentile of all films
  • Reindeer Games Homecoming(2022)

    Executive Producer

    Midcredits score: 71st percentile of all films
  • Love in the Villa(2022)

    Producer

    Midcredits score: 25th percentile of all films
  • The Holiday Fix Up(2021)

    Executive Producer

    Midcredits score: 50th percentile of all films
  • A Christmas Dance Reunion(2021)

    Executive Producer

    Midcredits score: 51st percentile of all films
  • A Cape Cod Christmas(2021)

    Executive Producer

    Midcredits score: 50th percentile of all films
  • Dashing in December(2020)

    Executive Producer

    Midcredits score: 56th percentile of all films
  • Christmas on Ice(2020)

    Producer

    Midcredits score: 47th percentile of all films
  • Love, Guaranteed(2020)

    Producer

    Midcredits score: 26th percentile of all films
  • Dangerous Lies(2020)

    Producer

    Midcredits score: 19th percentile of all films
  • Twinkle All the Way(2019)

    Producer

    Midcredits score: 52nd percentile of all films
  • Was I Really Kidnapped?(2019)

    Executive Producer

    Midcredits score: 8th percentile of all films
  • Deadly Assistant(2019)

    Executive Producer

    Midcredits score: 6th percentile of all films
  • My Mother's Killer Boyfriend(2019)

    Executive Producer

    Midcredits score: 18th percentile of all films
  • Fatal Beauty(2019)

    Producer

    Midcredits score: 12th percentile of all films
  • Web of Lies(2018)

    Executive Producer

    Midcredits score: 8th percentile of all films
  • Christmas Perfection(2018)

    Executive Producer

    Midcredits score: 28th percentile of all films
  • Last Vermont Christmas (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • Long Lost Daughter(2018)

    Executive Producer

    Midcredits score: 22nd percentile of all films
  • Room for Murder(2018)

    Executive Producer

    Midcredits score: 29th percentile of all films
  • The Perfect Christmas Present(2017)

    Co-Executive Producer

    Midcredits score: 54th percentile of all films
  • House of the Witch(2017)

    Co-Executive Producer

    Midcredits score: 9th percentile of all films
  • Toxic Shark(2017)

    Co-Executive Producer

    Midcredits score: 3rd percentile of all films
  • Love's Last Resort(2017)

    Executive Producer

    Midcredits score: 30th percentile of all films
  • Nanny Nightmare(2017)

    Executive Producer

    Midcredits score: 17th percentile of all films
  • One of Us(2017)

    Executive Producer

    Midcredits score: 12th percentile of all films
  • The Rachels(2017)

    Executive Producer

    Midcredits score: 37th percentile of all films
  • Midcredits score: 45th percentile of all films
  • My Christmas Love(2016)

    Executive Producer

    Midcredits score: 58th percentile of all films
  • Love Always, Santa(2016)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • Her Last Will(2016)

    Executive Producer

    Midcredits score: 50th percentile of all films
  • I Am Watching You(2016)

    Executive Producer

    Midcredits score: 9th percentile of all films
  • The Perfect Daughter(2016)

    Executive Producer

    Midcredits score: 39th percentile of all films
  • A Puppy for Christmas(2016)

    Producer

    Midcredits score: 46th percentile of all films
  • Girl Missing(2015)

    Executive Producer

    Midcredits score: 25th percentile of all films
  • Most Likely to Die(2015)

    Producer

    Midcredits score: 2nd percentile of all films
  • A Deadly Adoption(2015)

    Co-Executive Producer

    Midcredits score: 18th percentile of all films
  • Bad Blood(2015)

    Co-Executive Producer

    Midcredits score: 13th percentile of all films
  • Meet My Valentine(2015)

    Co-Producer

    Midcredits score: 58th percentile of all films
  • Nanny Cam(2014)

    Co-Executive Producer

    Midcredits score: 24th percentile of all films

Career shape

A full career of 45 titles from 2014 to 2025.

By role

only this rolewith another role
Producing45 of 45: 45 only producing, 0 with another role · typical Midcredits score31st

By decade

2010s28 · crew2020s17 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Margret H. Huddleston's films land?

Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 46; across their 46 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 46

Approval · how many liked their films

31stpercentile
Typical film, the median of 46

Reach · how many have seen their films

55thpercentile
Typical film, the median of 46

Midcredits score across 46 titles, by percentile

  • 75th and up1
  • 50th to 74th11
  • 25th to 49th18
  • Below 25th16

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Margret H. Huddleston's work okay for kids?

Across up to 7 MovieCove titles with content scores, 1 of the 4 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 51 · moderateMedian of all films: 44
Sex & Nudity7 titles17–54 · median 33 · mildnear the median of all filmsMedian of all films: 32
Alcohol & Drugs3 titlesmedian 28 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 39 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Margret H. Huddleston work with?

People who share at least 2 of Margret H. Huddleston's MovieCove titles, grouped by what they did on them; Stephanie Slack shares the most, 18.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

  • Stephanie Slack18 titles
    See newest 12 of 18 shared titles with Stephanie Slack
  • Fernando Szew18 titles
    See newest 12 of 18 shared titles with Fernando Szew
  • Hannah Pillemer11 titles
    See all 11 shared titles with Hannah Pillemer
  • Mark Donadio8 titles
    See all 8 shared titles with Mark Donadio

Mixed roles