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Morten Revsgaard Frederiksen

Producer

Works as
Producer
Titles
5 on MovieCove · 9 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 42% in 30 days

What are Morten Revsgaard Frederiksen's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Documentary3 titlesTypical Midcredits score: 77th percentile, at or above their average across these genres
: browse their Documentary movies
Drama2 titlesTypical Midcredits score: 66th percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
40%
Bonds
17%
Morality
11%
Survival
11%
Society
11%
Ideas
8%
Isolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 0 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 1 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

A split, not a type: Steady 2 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 2 · Some laughs 3 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 2 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 1 · Full focus 2

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
5
Contemplative
3
Tense
2
Hopeful
2

How their films linger

Thought-provoking4 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Morten Revsgaard Frederiksen's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Morten Revsgaard Frederiksen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 5 with a MovieCove page.

  • Flow(2014)

    Producer

    Midcredits score: 47th percentile of all films

  • Nation Estate (not in the MovieCove catalog yet)(2013)

    Executive Producer

  • The Expedition to the End of the World(2013)

    Producer

    Midcredits score: 77th percentile of all films

  • The Man Who Saved the World(2013)

    Producer

    Midcredits score: 87th percentile of all films

  • Petey & Ginger(2012)

    Executive Producer

    Midcredits score: 64th percentile of all films (provisional, few ratings)

  • Turning (not in the MovieCove catalog yet)(2012)

    Co-Producer

  • Teddy Bear(2012)

    Executive Producer

    Midcredits score: 85th percentile of all films

  • Out of Love (not in the MovieCove catalog yet)(2009)

    Executive Producer · Production Manager

  • Squat 69 (not in the MovieCove catalog yet)(2007)

    Director

Career shape

A full career of 6 titles from 2007 to 2013.

Biggest box office

Flow (2014)

$443K worldwide

Highest rated

The Man Who Saved the World (2013)

Midcredits 87th

By role

only this rolewith another role
Directing1 of 6: 1 only directing, 0 with another roleProducing5 of 6: 4 only producing, 1 with another roleOther crew1 of 6: 0 only other crew, 1 with another role

By decade

2000s2 · crew2010s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Morten Revsgaard Frederiksen's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 5

Approval · how many liked their films

77thpercentile
Typical film, the median of 5

Reach · how many have seen their films

53rdpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th1

Shape of the crowd

2 of their 5 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Mixed2

Most divisive · producer

Flow (2014)

54th percentile spread · 18% rated it 4 or lower

Most loved · producer

The Man Who Saved the World (2013)

Midcredits 87th · 80% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Morten Revsgaard Frederiksen work with?

People who share at least 2 of Morten Revsgaard Frederiksen's MovieCove titles; Peter Hyldahl shares the most, 5.