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MovieCove

Jay Taylor

Producer

Works as
Producer
Titles
31 on MovieCove · 33 credits in all
TMDB popularity, last 155 days to Oct 26Down 31% in 30 days

What are Jay Taylor's films like?

Across their 26 MovieCove titles with a thematic analysis, their films lean Survival and Self.

What they feel like to watch

their average across 25 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 5 · Dark 14

A split, not a type: Grounded 15 · Stylized 8 · Heightened 2

Gentle 2 · Charged 6 · Intense 17

Steady 7 · Shifting 12 · Whiplash 6

Straight-faced 20 · Some laughs 3 · Funny 2

Slow burn 9 · Even-paced 11 · Relentless 5

Casual 7 · Engaged 12 · Full focus 6

A split, not a type: Easy watch 4 · Affecting 8 · Heavy 13

A split, not a type: Resolved 12 · Open-ended 7 · Ambiguous 6

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
21
Melancholic
14
Dread
11
Thrilling
5
Hopeful
3
Other
17

How their films end · 9 with a twist

  • Happy3
  • Bittersweet12
  • Tragic2
  • Ambiguous9

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jay Taylor's films?

As of October 24, 2026, 23 of their 31 MovieCove titles stream on a subscription or free service, most on Tubi (12).

Subscription and free streaming for Jay Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 31 with a MovieCove page.

  • The Uprising(2026)

    Executive Producer

    Midcredits score: 51st percentile of all films
  • Return to Silent Hill(2026)

    Producer

    Midcredits score: 2nd percentile of all films
  • The Occupant(2025)

    Producer

    Midcredits score: 31st percentile of all films
  • Odyssey(2025)

    Producer

    Midcredits score: 26th percentile of all films
  • The Crow(2024)

    Executive Producer

    Midcredits score: 12th percentile of all films
  • Boiling Point(2021)

    Executive Producer

    Midcredits score: 95th percentile of all films
  • Endangered Species(2021)

    Producer

    Midcredits score: 8th percentile of all films
  • A Violent Man(2021)

    Producer

    Midcredits score: 29th percentile of all films
  • Midcredits score: 25th percentile of all films
  • The Stand In(2020)

    Executive Producer

    Midcredits score: 10th percentile of all films
  • Honest Thief(2020)

    Executive Producer

    Midcredits score: 38th percentile of all films
  • The Vanished(2020)

    Executive Producer

    Midcredits score: 35th percentile of all films
  • Rogue(2020)

    Producer

    Midcredits score: 7th percentile of all films
  • Endless(2020)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • Guns Akimbo(2019)

    Executive Producer

    Midcredits score: 52nd percentile of all films
  • Skylines(2020)

    Producer

    Midcredits score: 13th percentile of all films
  • Danger Close(2019)

    Executive Producer

    Midcredits score: 76th percentile of all films
  • Out of Blue(2018)

    Executive Producer

    Midcredits score: 13th percentile of all films
  • Cannon Busters(2019)

    Show Producer

    Midcredits score: 29th percentile of all shows
  • McQueen(2018)

    Executive Producer

    Midcredits score: 97th percentile of all films
  • The Hippopotamus(2017)

    Producer

    Midcredits score: 53rd percentile of all films
  • Into the Rainbow(2017)

    Producer

    Midcredits score: 31st percentile of all films (provisional, few ratings)
  • A Kind of Murder(2016)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • FirstBorn(2016)

    Executive Producer

    Midcredits score: 13th percentile of all films
  • Bobby(2016)

    Executive Producer

    Midcredits score: 85th percentile of all films
  • The Trust(2016)

    Associate Producer

    Midcredits score: 22nd percentile of all films
  • The Hallow(2015)

    Associate Producer

    Midcredits score: 30th percentile of all films
  • Jackie & Ryan(2014)

    Executive Producer

    Midcredits score: 40th percentile of all films
  • The Fold(2013)

    Producer

    Midcredits score: 15th percentile of all films
  • Wild Child(2008)

    Production Assistant

    Midcredits score: 64th percentile of all films
  • Massacre in Madrid (not in the MovieCove catalog yet)(2008)

    Editor

  • Nightshade(1995)

    Sound Recordist

    Midcredits score: 48th percentile of all films (provisional, few ratings)
  • Willie's War (not in the MovieCove catalog yet)(1994)

    Sound Recordist

Career shape

A full career of 27 titles from 1994 to 2026.

By role

only this rolewith another role
Producing23 of 27: 23 only producing, 0 with another role · typical Midcredits score30thEditing1 of 27: 1 only editing, 0 with another roleOther crew3 of 27: 3 only other crew, 0 with another role

By decade

1990s2 · crew2000s2 · crew2010s11 · crew2020s12 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jay Taylor's films land?

Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 30; across their 25 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 25

Approval · how many liked their films

24thpercentile
Typical film, the median of 25

Reach · how many have seen their films

85thpercentile
Typical film, the median of 25

Midcredits score across 31 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th11
  • Below 25th12

Shape of the crowd

14 of their 31 titles are Mixed.

  • Universally Loved2
  • Universally Panned2
  • Divisive2
  • Cult Classic1
  • Crowd Pleaser5
  • Broadly Agreed5
  • Mixed14

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jay Taylor's work okay for kids?

Across up to 15 MovieCove titles with content scores, violence & gore, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles33–76 · median 64 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity15 titles12–51 · median 22 · mildnear the median of all filmsMedian of all films: 32
Profanity15 titles49–86 · median 69 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs12 titles17–64 · median 52 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense10 titles37–73 · median 61 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jay Taylor work with?

People who share at least 2 of Jay Taylor's MovieCove titles, grouped by what they did on them; John Jencks shares the most, 21.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles