Ronald Arguelles

What are Ronald Arguelles' films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ronald Arguelles' films?

As of October 24, 2026, 1 of their 16 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Ronald Arguelles' titles on MovieCove; rent and buy are not counted.

Filmography

16 credits, 16 with a MovieCove page.

• 

  Dreamboi(2025)

  Producer

  Midcredits score: 92nd percentile of all films92^nd
• 

  Double Twisting Double Back(2018)

  Producer

  Midcredits score: 39th percentile of all films (provisional, few ratings)~39^th
• 

  Paglisan(2018)

  Producer

  Midcredits score: 70th percentile of all films (provisional, few ratings)~70^th
• 

  Pang MMK(2018)

  Producer

  Midcredits score: 32nd percentile of all films (provisional, few ratings)~32^nd
• 

  Nervous Translation(2017)

  Producer

  Midcredits score: 38th percentile of all films38^th
• 

  2 Cool 2 Be 4gotten(2016)

  Producer

  Midcredits score: 64th percentile of all films64^th
• 

  The Woman Who Left(2016)

  Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Bitukang manok(2014)

  Producer

  Midcredits score: 25th percentile of all films (provisional, few ratings)~25^th
• 

  Lorna(2014)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Seoul Mates(2014)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  That Thing Called Tadhana(2014)

  Producer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Violator(2014)

  Producer

  Midcredits score: 26th percentile of all films26^th
• 

  Shift(2013)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  The Patriarch(2013)

  Producer

  Midcredits score: 76th percentile of all films (provisional, few ratings)~76^th
• 

  Mater Dolorosa(2012)

  Producer

  Midcredits score: 74th percentile of all films (provisional, few ratings)~74^th
• 

  Palitan(2012)

  Producer

  Midcredits score: 33rd percentile of all films33^rd

Career shape

Across their 16 MovieCove titles from 2012 to 2025.

Biggest box office

The Woman Who Left (2016)

$4.4K worldwide

Highest rated

Dreamboi (2025)

Midcredits 92^nd

How do Ronald Arguelles' films land?

Their typical MovieCove film has a Midcredits score in the 70^th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 76^th percentile for acclaim.

Shape of the crowd

7 of their 16 titles are Mixed.

527

• Universally Loved1
• Divisive5
• Cult Classic2
• Crowd Pleaser1
• Mixed7

Most divisive · producer

Bitukang manok (2014)

97^th percentile spread · 67% rated it 4 or lower

Most loved · producer

Dreamboi (2025)

Midcredits 92^nd · 84% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ronald Arguelles work with?

People who share at least 2 of Ronald Arguelles' MovieCove titles, grouped by what they did on them; Benjamin Gonzales Tolentino shares the most, 4.