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Dallas King

Dallas King

Producer, writer, director, actor and editor

Dallas just wrapped shooting episodes for the serialized feature film, "Helping You To Forget". Up next, Dallas will release the highly anticipated horror film "College of the Dead", which will hit the festival circuit in 2026. For 2025, Dallas penned the feature documentary, "I Love You My Narcissist", which will release worldwide in 2026. He premiered his feature film "Swap", a vampire horror film he directed and was released domestically by EPIC Pictures. Most recently, Dallas served as the US producer for the highest-grossing film in China's history, "The Battle at Lake Changjin", produced by the Bona Film Group. Before this, Dallas released 4 feature films as a director, producer, and writer, including the award-winning documentary, "The Bill Murray Experience", starring Bill Murray. Right after he produced the action thriller, "Kiss Kiss", released domestically by 1091 Pictures. Following the success of "Kiss Kiss", China's largest web network, iQiYi, signed Dallas to direct and produce the feature, "Ink & Rain", to exclusively screen in China. Off this momentum, he was hired to direct the feature web series, "BWFC", by Japan's Crunchyroll, the makers of One Piece & Dragon Ball Z. Next, he completed the TV Pilot, "Plur", which was funded and distributed by the former Fusion TV. Since 2008, Dallas has led his production company, Red Rabbit Pictures, which has earned him the (DGA) Directors Guild of America Award for Outstanding Directing, and he was nominated for an African Movie Academy Award for his film, "Little Soldier", which is still distributed by Walmart. Dallas has earned the Hollywood Foreign Press Association Award, The Caucus Foundation Award for Directing, a 3-time award recipient of the National Hispanic Foundation for the Arts, and a recipient of the National Hispanic Fund McNamara Grant. Recently, Dallas was selected to join the prestigious Nantucket Film Festival Screenwriters program. Dallas has volunteered to teach at inner-city schools through the LIFE Cinema Project (Edward James Olmos personal project), Los Angeles Education Project, and the First Star summer program. When he's not filming, he serves as an adjunct professor at UCLA Film School, Anaheim University, and Loyola Marymount University Film School.

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Biography from IMDb.

Works as
Producer, writer, director, actor and editor
Titles
4 on MovieCove

What are Dallas King's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
26%
Morality
24%
Bonds
14%
Survival
14%
Ideas
14%
Power
8%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 3 · Stylized 1 · Heightened 0

Gentle 0 · Charged 3 · Intense 1

Steady 1 · Shifting 2 · Whiplash 1

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

Resolved 2 · Open-ended 2 · Ambiguous 0

Roles they play

1 analyzed role
  • Shadowas Angelo in Swap (2024)

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
2
Dread
1
Thrilling
1
Absurd
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dallas King's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Dallas King's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Swap(2024)

    Director · Producer · Writer · as Angelo

    Midcredits score: 3rd percentile of all films
  • Kiss Kiss(2019)

    Director · Editor · Producer · Writer

    Midcredits score: 1st percentile of all films
  • Demon(2017)

    Director · Producer · Writer

    Midcredits score: 4th percentile of all films
  • The Bill Murray Experience(2017)

    Producer · Writer

    Midcredits score: 16th percentile of all films (provisional, few ratings)

Career shape

Across a limited sample of 4 MovieCove titles from 2017 to 2024.

By role

only this rolewith another role
Acting1 of 4: 0 only acting, 1 with another roleDirecting3 of 4: 0 only directing, 3 with another roleWriting4 of 4: 0 only writing, 4 with another roleProducing4 of 4: 0 only producing, 4 with another roleEditing1 of 4: 0 only editing, 1 with another role

4 titles, 4 with more than one role — producing and writing overlap on 4 of them.

By decade

2010s3 · crew2020s1 · 1 acting · 1 crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Dallas King's films land?

Their typical MovieCove film has a Midcredits score in the 4th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 5th percentile for acclaim.

Acclaim · how much people like their films

5thpercentile
Typical film, the median of 4

Approval · how many liked their films

5thpercentile
Typical film, the median of 4

Reach · how many have seen their films

31stpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • Below 25th4

Reviewers score the dialogue 18/100 and the plot and story 18/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dallas King work with?

People who share at least 2 of Dallas King's MovieCove titles; Thai Edwards shares the most, 2.