James H. Brown
Producer · Died July 10, 2011, aged 80 · USA
- July 26, 1930
- July 10, 2011 (aged 80)
- USA
- Producer
- 9 on MovieCove · 20 credits in all
Known for
What are James H. Brown's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 1 · Serious 1 · Dark 3
Grounded 5 · Stylized 0 · Heightened 0
Gentle 1 · Charged 2 · Intense 2
Steady 1 · Shifting 4 · Whiplash 0
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch James H. Brown's films?
As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for James H. Brown's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 9 with a MovieCove page.
Secrets (not in the MovieCove catalog yet)(1992)
This Is Kate Bennett... (not in the MovieCove catalog yet)(1982)
Terror Among Us (not in the MovieCove catalog yet)(1981)
Midcredits score: 76th percentile of all films
Alcatraz: The Whole Shocking Story (not in the MovieCove catalog yet)(1980)
To Kill a Cop(1978)
Midcredits score: 61st percentile of all films
To Kill a Cop (not in the MovieCove catalog yet)(1978)
Keefer (not in the MovieCove catalog yet)(1978)
A Killing Affair (not in the MovieCove catalog yet)(1977)
Midcredits score: 43rd percentile of all films
Midcredits score: 41st percentile of all films
Midcredits score: 76th percentile of all films (provisional, few ratings)
Ghost Story (not in the MovieCove catalog yet)(1972)
Harpy (not in the MovieCove catalog yet)(1971)
Harper(1966)
Midcredits score: 75th percentile of all films
Honey West (not in the MovieCove catalog yet)(1965)
Marnie(1964)
Midcredits score: 85th percentile of all films
The Birds(1963)
Midcredits score: 95th percentile of all films
Startime (not in the MovieCove catalog yet)(1959)
Leave It to Beaver(1957)
Midcredits score: 72nd percentile of all shows
Career shape
A full career of 20 titles from 1957 to 1992.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do James H. Brown's films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 8; across their 5 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up5
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
4 of their 9 titles are Crowd Pleasers.
- Universally Loved1
- Divisive1
- Cult Classic1
- Crowd Pleaser4
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does James H. Brown work with?
People who share at least 2 of James H. Brown's MovieCove titles, grouped by what they did on them; David Gerber shares the most, 4.
Writers
- Ernest TidymanShared titles: Alcatraz: The Whole Shocking Story (1980), To Kill a Cop (1978)See all 2 shared titles with Ernest Tidyman
- Tracy Keenan WynnShared titles: The Captive: The Longest Drive 2 (1976), The Quest: The Longest Drive (1976)See all 2 shared titles with Tracy Keenan Wynn
Actors
- Kurt RussellShared titles: The Captive: The Longest Drive 2 (1976), The Quest: The Longest Drive (1976)See all 2 shared titles with Kurt Russell
- Tim MathesonShared titles: The Captive: The Longest Drive 2 (1976), The Quest: The Longest Drive (1976)See all 2 shared titles with Tim Matheson
Composers, cinematographers and editors
- Ken ZemkeShared titles: The Captive: The Longest Drive 2 (1976), The Quest: The Longest Drive (1976), The Turning Point of Jim Malloy (1975)See all 3 shared titles with Ken Zemke
- Donald R. RodeShared titles: Alcatraz: The Whole Shocking Story (1980), To Kill a Cop (1978)See all 2 shared titles with Donald R. Rode
- Al FrancisShared titles: The Captive: The Longest Drive 2 (1976), The Quest: The Longest Drive (1976)See all 2 shared titles with Al Francis
- Richard ShoresShared titles: The Captive: The Longest Drive 2 (1976), The Quest: The Longest Drive (1976)See all 2 shared titles with Richard Shores
Producers
- David GerberShared titles: To Kill a Cop (1978), The Captive: The Longest Drive 2 (1976), The Quest: The Longest Drive (1976), The Turning Point of Jim Malloy (1975)See all 4 shared titles with David Gerber
- Mark RodgersShared titles: The Captive: The Longest Drive 2 (1976), The Quest: The Longest Drive (1976)See all 2 shared titles with Mark Rodgers
- Philip D. FehrleShared titles: The Captive: The Longest Drive 2 (1976), The Quest: The Longest Drive (1976)See all 2 shared titles with Philip D. Fehrle
