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Blair Foster

Blair Foster

Producer and director

Primetime Emmy winner · 1 other major award body

Blair Foster is a filmmaker who won two Emmys for her work on the Academy Award winning film, Taxi to the Dark Side as well as an Emmy for Martin Scorsese’s George Harrison: Living in the Material World. In 2017 she directed and produced, along with Alex Gibney, Rolling Stone: Stories from the Edge for HBO. She also produced the Netflix documentary Get Me Roger Stone which premiered at the Tribeca Film Festival. Foster produced the Emmy nominated Sinatra: All or Nothing at All and the Peabody Award winning Mr. Dynamite: The Rise of James Brown both directed by Alex Gibney.She is the Executive Producer of The History of the Eagles as well as We Steal Secrets: The Story of Wikileaks. In 2012 Foster produced Park Avenue: Money, Power and the American Dream, part of the Peabody Award winning International Why Poverty series. She is the co-creator and director of The Conversation, seven short films about race published by the New York Times Op-Doc series. Blair attended graduate school for history and has a Master’s degree in documentary film from Stanford University.

Read more

Biography from TMDB.

Works as
Producer and director
Titles
16 on MovieCove · 24 credits in all
TMDB popularity, last 155 days to Oct 26Down 8% in 30 days

What are Blair Foster's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Power and Society.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 1 · Dark 6

Grounded 11 · Stylized 0 · Heightened 0

A split, not a type: Gentle 3 · Charged 3 · Intense 5

Steady 8 · Shifting 3 · Whiplash 0

Straight-faced 9 · Some laughs 2 · Funny 0

Slow burn 8 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 5 · Full focus 3

Resolved 6 · Open-ended 5 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Blair Foster's films?

As of October 24, 2026, 14 of their 16 MovieCove titles stream on a subscription or free service, most on Prime Video (6).

Subscription and free streaming for Blair Foster's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 16 with a MovieCove page.

  • Marty, Life Is Short(2026)

    Producer

    Midcredits score: 97th percentile of all films
  • Exodus (not in the MovieCove catalog yet)(2025)

    Executive Producer

  • Silver Dollar Road(2023)

    Producer

    Midcredits score: 76th percentile of all films
  • Midcredits score: 99th percentile of all films (provisional, few ratings)
  • Take Your Pills: Xanax(2022)

    Director · Executive Producer

    Midcredits score: 45th percentile of all films
  • Totally Under Control(2020)

    Consulting Producer

    Midcredits score: 91st percentile of all films
  • The Forever Prisoner(2021)

    Producer

    Midcredits score: 89th percentile of all films
  • Words on Bathroom Walls(2020)

    Casting Associate

    Midcredits score: 90th percentile of all films
  • The Clinton Affair(2018)

    Show 6 episodes · Director · Producer

    Midcredits score: 87th percentile of all shows
  • Robin Williams: Come Inside My Mind(2018)

    Consulting Producer

    Midcredits score: 98th percentile of all films
  • Rolling Stone: Stories from the Edge (not in the MovieCove catalog yet)(2017)

    Show 2 episodes · Director · Executive Producer

  • Zero Days(2016)

    Producer

    Midcredits score: 96th percentile of all films
  • A Conversation with My Black Son (not in the MovieCove catalog yet)(2015)

    Director

  • A Conversation With Latinos on Race (not in the MovieCove catalog yet)(2015)

    Director

  • A Conversation with White People on Race (not in the MovieCove catalog yet)(2015)

    Director

  • The Conversation (not in the MovieCove catalog yet)(2015)

    Director · Producer · Story

  • Midcredits score: 87th percentile of all shows
  • Midcredits score: 90th percentile of all films
  • We Steal Secrets(2013)

    Executive Producer

    Midcredits score: 77th percentile of all films
  • History of the Eagles(2013)

    Show 2 episodes · Executive Producer

    Midcredits score: 94th percentile of all shows
  • George Harrison: Living in the Material World (not in the MovieCove catalog yet)(2011)

    Show 2 episodes · Supervising Producer

  • Taxi to the Dark Side(2007)

    Co-Producer

    Midcredits score: 91st percentile of all films
  • Midcredits score: 85th percentile of all films
  • The Hands That Held the Knives (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 20 titles, 19 of them dated from 2005 to 2026.

By role

only this rolewith another role
Directing7 of 20: 4 only directing, 3 with another roleWriting1 of 20: 0 only writing, 1 with another roleProducing15 of 20: 12 only producing, 3 with another role · typical Midcredits score91stOther crew1 of 20: 1 only other crew, 0 with another role

20 titles, 3 with more than one role — producing and directing overlap on 3 of them.

By decade

2000s2 · crew2010s11 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

a Primetime Emmy from 4 major nominations, 2012–2026.

WinNomination
  1. 2026
    • Primetime Emmy, nominated · Outstanding Documentary or Nonfiction Special
  2. 2016
    • Grammy Award, nominated · Best Music Film
  3. 2015
    • Primetime Emmy, nominated · Outstanding Documentary or Nonfiction Special
  4. 2012
    • Primetime Emmy, won · Outstanding Nonfiction Special

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Blair Foster's films land?

Their typical MovieCove film has a Midcredits score in the 90th percentile, the median of all 13; across their 11 films with reception data, the typical film sits in the 86th percentile for acclaim.

Acclaim · how much people like their films

86thpercentile
Typical film, the median of 11

Approval · how many liked their films

88thpercentile
Typical film, the median of 11

Reach · how many have seen their films

70thpercentile
Typical film, the median of 11

Midcredits score across 16 titles, by percentile

  • 75th and up15
  • 25th to 49th1

Reviewers score the atmosphere 67/100 and the pacing 51/100 in their films, across 8 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Blair Foster work with?

People who share at least 2 of Blair Foster's MovieCove titles, grouped by what they did on them; Alex Gibney shares the most, 9.

Directors

Cinematographers and editors

Producers

Mixed roles