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Margarethe Baillou

Margarethe Baillou

Producer

Margarethe Baillou is the founder and owner of independent motion picture company, M.Y.R.A. Entertainment, in New York, London and Singapore. The company produces global, nonviolent and inclusive content. Credits include Call Me by Your Name (2017), The World to Come (2020), Benediction (2021), Freud's Last Session (2023) and Virginia Woolf's Night & Day (2026). She also established M.Y.R.A. Photography as well as the M.Y.R.A. Initiative, the philanthropic arm of M.Y.R.A. Entertainment, maintaining an Emergency Relief Fund and advocating nonviolent cinema.

Read more

Biography from IMDb.

Works as
Producer
Titles
7 on MovieCove · 9 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 42% in 30 days

What are Margarethe Baillou's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Self.

Themes

share of theme weight
Society
30%
Self
27%
Bonds
19%
Survival
12%
Power
7%
Morality
5%
Romantic love3 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeFaith2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 2 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 5 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 3 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 0 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 0 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 4 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 4 · Open-ended 0 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
5
Melancholic
4
Romantic
3
Bittersweet
3
Warm
2
Other
2

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Bittersweet5
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Margarethe Baillou's films?

As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Margarethe Baillou's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 7 with a MovieCove page.

  • Virginia Woolf's Night & Day(2026)

    Producer

    Midcredits score: 33rd percentile of all films

  • Flower of the Dawn (not in the MovieCove catalog yet)(2025)

    Producer · Writer

  • Freud's Last Session(2023)

    Executive Producer

    Midcredits score: 45th percentile of all films

  • And So I Begin (not in the MovieCove catalog yet)(2022)

    Director · Producer · Screenplay

  • Benediction(2021)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • The World to Come(2020)

    Producer

    Midcredits score: 66th percentile of all films

  • Change in the Air(2018)

    Executive Producer

    Midcredits score: 31st percentile of all films

  • Call Me by Your Name(2017)

    Executive Producer

    Midcredits score: 96th percentile of all films

  • Drawing Home(2016)

    Producer

    Midcredits score: 48th percentile of all films (provisional, few ratings)

Career shape

A full career of 7 titles from 2017 to 2025.

Biggest box office

Call Me by Your Name (2017)

$73M worldwide

Highest rated

Call Me by Your Name (2017)

Midcredits 96th

By role

only this rolewith another role
Directing1 of 7: 0 only directing, 1 with another roleWriting2 of 7: 0 only writing, 2 with another roleProducing7 of 7: 5 only producing, 2 with another role · typical Midcredits score66th

By decade

2010s2 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Margarethe Baillou's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 7

Approval · how many liked their films

45thpercentile
Typical film, the median of 7

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th4

Shape of the crowd

2 of their 7 titles are Crowd Pleasers.

  • Universally Loved1
  • Divisive1
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed2

Most divisive · producer

Drawing Home (2016)

94th percentile spread · 45% rated it 4 or lower

Most loved · producer

Call Me by Your Name (2017)

Midcredits 96th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Margarethe Baillou's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 50 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Margarethe Baillou work with?

People who share at least 2 of Margarethe Baillou's MovieCove titles, grouped by what they did on them; Allan Neuwirth shares the most, 3.

Editors

Producers