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Gregorio Paonessa

Gregorio Paonessa

Producer · Catanzaro, Calabria, Italy

Venice award winner

From
Catanzaro, Calabria, Italy
Works as
Producer
Titles
17 on MovieCove · 40 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 7% in 30 days

What are Gregorio Paonessa's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama8 titlesTypical Midcredits score: 49th percentile
: browse their Drama movies
Biography3 titlesTypical Midcredits score: 46th percentile
: browse their Biography movies
Comedy2 titlesTypical Midcredits score: 68th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
36%
Bonds
24%
Survival
14%
Morality
10%
Society
6%
Ideas
5%
Power
5%
Identity8 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeMemory3 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 15 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 5 · Dark 7

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 3 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 10 · Intense 3

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 9 · Shifting 6 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 12 · Some laughs 3 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 11 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 9 · Full focus 3

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 4 · Heavy 7

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 4 · Open-ended 5 · Ambiguous 6

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
13
Melancholic
8
Tense
7
Dread
3
Bittersweet
2
Other
5

How their films linger

Thought-provoking9 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Bittersweet9
  • Tragic2
  • Ambiguous3
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gregorio Paonessa's films?

As of October 24, 2026, 10 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Gregorio Paonessa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

40 credits, 17 with a MovieCove page.

  • La ragazza con la Leica(2026)

    Producer

    Midcredits score: 46th percentile of all films (provisional, few ratings)

  • The Eyes of Others(2025)

    Producer

    Midcredits score: 33rd percentile of all films

  • The Last One for the Road(2025)

    Producer

    Midcredits score: 90th percentile of all films

  • For the Love of a Women (not in the MovieCove catalog yet)(2025)

    Producer

  • Grand Tour(2024)

    Co-Producer

    Midcredits score: 65th percentile of all films

  • The Great Ambition(2024)

    Producer

    Midcredits score: 85th percentile of all films

  • Quasi a casa (not in the MovieCove catalog yet)(2024)

    Producer

  • Anywhere Anytime (not in the MovieCove catalog yet)(2024)

    Producer

  • When in Rome(2024)

    Co-Producer

    Midcredits score: 45th percentile of all films

  • Superluna (not in the MovieCove catalog yet)(2023)

    Producer

  • Wanted (not in the MovieCove catalog yet)(2023)

    Producer

  • Chiara (not in the MovieCove catalog yet)(2022)

    Producer

  • Luki (not in the MovieCove catalog yet)(2022)

    Producer

  • The Substitute(2022)

    Co-Producer

    Midcredits score: 51st percentile of all films

  • Il pataffio (not in the MovieCove catalog yet)(2022)

    Producer

  • The Peacock’s Paradise (not in the MovieCove catalog yet)(2022)

    Producer

  • Welcome Venice (not in the MovieCove catalog yet)(2021)

    Associate Producer

  • Don't Kill Me(2021)

    Producer

    Midcredits score: 3rd percentile of all films

  • Miss Marx(2020)

    Producer

    Midcredits score: 34th percentile of all films

  • Siberia(2020)

    Producer

    Midcredits score: 16th percentile of all films

  • Maternal (not in the MovieCove catalog yet)(2019)

    Producer

  • Simple Women (not in the MovieCove catalog yet)(2019)

    Producer

  • Flesh Out (not in the MovieCove catalog yet)(2019)

    Producer

  • Tommaso(2019)

    Producer

    Midcredits score: 48th percentile of all films

  • Daughter of Mine(2018)

    Producer

    Midcredits score: 50th percentile of all films

  • Nico, 1988(2017)

    Producer

    Midcredits score: 72nd percentile of all films

  • Children of the Night(2016)

    Producer

    Midcredits score: 34th percentile of all films

  • Sworn Virgin(2015)

    Producer

    Midcredits score: 56th percentile of all films

  • Trees (not in the MovieCove catalog yet)(2013)

    Producer

  • Pinuccio Lovero - Yes I Can (not in the MovieCove catalog yet)(2012)

    Producer

  • And They Call It Summer(2012)

    Producer

    Midcredits score: 9th percentile of all films

  • The Four Times(2010)

    Producer

    Midcredits score: 88th percentile of all films

  • The Mirror (not in the MovieCove catalog yet)(2009)

    Producer

  • Armando e la politica (not in the MovieCove catalog yet)(2008)

    Producer

  • Imatra (not in the MovieCove catalog yet)(2007)

    Producer

  • Il mio paese (not in the MovieCove catalog yet)(2006)

    Producer

  • Confini d'Europa 2: Rio de Onor (not in the MovieCove catalog yet)(2006)

    Producer

  • Giorni in prova. Emilio Rentocchini poeta a Sassuolo (not in the MovieCove catalog yet)(2006)

    Producer

  • Happy Days (not in the MovieCove catalog yet)

    Producer

  • My Way (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 37 titles, 35 of them dated from 2006 to 2026.

Biggest box office

The Last One for the Road (2025)

$3.4M worldwide

Highest rated

The Last One for the Road (2025)

Midcredits 90th

Most popular right now

Siberia (2020)

By role

only this rolewith another role
Producing37 of 37: 37 only producing, 0 with another role · typical Midcredits score49th

By decade

2000s6 · crew2010s9 · crew2020s20 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Won a Venice award in 2024, International Film Critics Week.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Gregorio Paonessa's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 17; across their 15 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 15

Approval · how many liked their films

39thpercentile
Typical film, the median of 15

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 15

Midcredits score across 17 titles, by percentile

  • 75th and up3
  • 50th to 74th5
  • 25th to 49th6
  • Below 25th3

Shape of the crowd

9 of their 17 titles are Mixed.

  • Universally Panned1
  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed9

Most divisive · producer

And They Call It Summer (2012)

75th percentile spread · 50% rated it 4 or lower

Most loved · producer

The Last One for the Road (2025)

Midcredits 90th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Gregorio Paonessa's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 66 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Gregorio Paonessa work with?

People who share at least 2 of Gregorio Paonessa's MovieCove titles, grouped by what they did on them; Marta Donzelli shares the most, 14.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers