Keith Wong
- Writer
- 5 on MovieCove
What are Keith Wong's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 4 · Serious 0 · Dark 1
Grounded 1 · Stylized 3 · Heightened 1
Gentle 2 · Charged 2 · Intense 1
Steady 2 · Shifting 3 · Whiplash 0
Straight-faced 1 · Some laughs 0 · Funny 4
Slow burn 0 · Even-paced 4 · Relentless 1
Casual 3 · Engaged 2 · Full focus 0
Easy watch 4 · Affecting 0 · Heavy 1
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet1
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Keith Wong's films?
As of October 28, 2026, none of Keith Wong's 5 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Keith Wong's titles on MovieCove; rent and buy are not counted.
Filmography
5 credits, 5 with a MovieCove page.
Midcredits score: 10th percentile of all films
Her Fatal Ways(1990)
Midcredits score: 72nd percentile of all films
On the Run(1988)
Midcredits score: 81st percentile of all films
Paper Marriage(1988)
Midcredits score: 61st percentile of all films
Millionaires' Express(1986)
Midcredits score: 79th percentile of all films
Career shape
Across their 5 MovieCove titles from 1986 to 1994.
How do Keith Wong's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 70th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- Below 25th1
Shape of the crowd
4 of their 5 titles are Crowd Pleasers.
- Crowd Pleaser4
- Mixed1
Reviewers score the dialogue 55/100 and the plot and story 44/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Keith Wong work with?
People who share at least 2 of Keith Wong's MovieCove titles, grouped by what they did on them; Alfred Cheung shares the most, 4.
Directors
- Alfred CheungShared titles: Her Fatal Ways (1990), On the Run (1988), Paper Marriage (1988), Millionaires' Express (1986)See all 4 shared titles with Alfred Cheung
Actors
- Lung ChanShared titles: The Gods Must Be Funny in China (1994), Millionaires' Express (1986)See all 2 shared titles with Lung Chan
- Biao YuenShared titles: On the Run (1988), Millionaires' Express (1986)See all 2 shared titles with Biao Yuen
- Chin Ka-LokShared titles: Paper Marriage (1988), Millionaires' Express (1986)See all 2 shared titles with Chin Ka-Lok
- Hou HsiaoShared titles: Paper Marriage (1988), Millionaires' Express (1986)See all 2 shared titles with Hou Hsiao
Composers
- Violet LamShared titles: Her Fatal Ways (1990), On the Run (1988)See all 2 shared titles with Violet Lam
Producers
- Anthony ChanShared titles: Her Fatal Ways (1990), On the Run (1988), Paper Marriage (1988)See all 3 shared titles with Anthony Chan
