Kyô Namura
- Producer
- 4 on MovieCove
Known for
What are Kyô Namura's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 0 · Dark 3
Grounded 3 · Stylized 1 · Heightened 0
Gentle 0 · Charged 2 · Intense 2
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 4 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 2
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Kyô Namura's films?
As of October 28, 2026, none of Kyô Namura's 4 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Kyô Namura's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
Night Train(1987)
Midcredits score: 33rd percentile of all films (provisional, few ratings)
Yakuza Ladies(1986)
Midcredits score: 50th percentile of all films
Oar(1985)
Midcredits score: 74th percentile of all films
Hell(1979)
Midcredits score: 64th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1979 to 1987.
How do Kyô Namura's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 50th to 74th3
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Kyô Namura work with?
People who share at least 2 of Kyô Namura's MovieCove titles, grouped by what they did on them; Gorô Kusakabe shares the most, 4.
Directors
- Hideo GoshaShared titles: Yakuza Ladies (1986), Oar (1985)See all 2 shared titles with Hideo Gosha
Writers
- Tomiko MiyaoShared titles: Night Train (1987), Oar (1985)See all 2 shared titles with Tomiko Miyao
- Kôji TakadaShared titles: Yakuza Ladies (1986), Oar (1985)See all 2 shared titles with Kôji Takada
Actors
- Ryûji KatagiriShared titles: Night Train (1987), Oar (1985)See all 2 shared titles with Ryûji Katagiri
- Yukiyo ToakeShared titles: Night Train (1987), Oar (1985)See all 2 shared titles with Yukiyo Toake
- Masataka NaruseShared titles: Yakuza Ladies (1986), Oar (1985)See all 2 shared titles with Masataka Naruse
Composers, cinematographers and editors
- Eifu TamakiShared titles: Night Train (1987), Hell (1979)See all 2 shared titles with Eifu Tamaki
- Fujio MoritaShared titles: Yakuza Ladies (1986), Oar (1985)See all 2 shared titles with Fujio Morita
- Isamu IchidaShared titles: Yakuza Ladies (1986), Oar (1985)See all 2 shared titles with Isamu Ichida
- Masaru SatōShared titles: Yakuza Ladies (1986), Oar (1985)See all 2 shared titles with Masaru Satō
Producers
- Gorô KusakabeShared titles: Night Train (1987), Yakuza Ladies (1986), Oar (1985), Hell (1979)See all 4 shared titles with Gorô Kusakabe