Tamar Lamberson

What are Tamar Lamberson's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tamar Lamberson's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (4).

• Tubi4 titles, browse their movies on this service
  • Johnny Gruesome (2018) · producer · free
  • Frenzy Moon (2025) · producer · free
  • Guns of Eden (2022) · producer · free
  • Widow's Point (2019) · producer · free
• Prime Video1 title, browse their movies on this service
  • Johnny Gruesome (2018) · producer

Subscription and free streaming for Tamar Lamberson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Frenzy Moon(2025)

  Producer

  Midcredits score: 8th percentile of all films8^th
• 

  Guns of Eden(2022)

  Producer

  Midcredits score: 7th percentile of all films7^th
• 

  Widow's Point(2019)

  Producer

  Midcredits score: 3rd percentile of all films3^rd
• 

  Johnny Gruesome(2018)

  Producer

  Midcredits score: 9th percentile of all films9^th

Career shape

Across a limited sample of 4 MovieCove titles from 2018 to 2025.

Biggest box office

Widow's Point (2019)

$17K worldwide

Most popular right now

Frenzy Moon (2025)

How do Tamar Lamberson's films land?

Their typical MovieCove film has a Midcredits score in the 8^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 6^th percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Mixed.

13

• Divisive1
• Mixed3

Most divisive · producer

Frenzy Moon (2025)

91^st percentile spread · 58% rated it 4 or lower

Most loved · producer

Johnny Gruesome (2018)

Midcredits 9^th · 22% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Tamar Lamberson work with?

People who share at least 2 of Tamar Lamberson's MovieCove titles, grouped by what they did on them; Gregory Lamberson shares the most, 4.