Cowman

What are Cowman's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Cowman's films?

As of October 24, 2026, none of Cowman's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Cowman's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Young & Dangerous: The Prequel(1998)

  Producer · Writer

  Midcredits score: 50th percentile of all films50^th
• 

  Young and Dangerous 5(1998)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  Street Angels(1996)

  Writer

  Midcredits score: 24th percentile of all films24^th
• 

  Young and Dangerous(1996)

  Producer · Writer

  Midcredits score: 81st percentile of all films81^st
• 

  Young and Dangerous 3(1996)

  Producer

  Midcredits score: 70th percentile of all films70^th

Career shape

Across their 5 MovieCove titles from 1996 to 1998.

Highest rated

Young and Dangerous (1996)

Midcredits 81^st

How do Cowman's films land?

Their typical MovieCove film has a Midcredits score in the 50^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 56^th percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 2 are Crowd Pleasers.

212

• Crowd Pleaser2
• Broadly Agreed1
• Mixed2

Most loved · writer, producer

Young and Dangerous (1996)

Midcredits 81^st · 72% liked

Reviewers score the dialogue 48/100 and the plot and story 47/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Cowman work with?

People who share at least 2 of Cowman's MovieCove titles, grouped by what they did on them; Wai Keung Lau shares the most, 5.