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Lara Breay

Producer

Lara Breay is a feature film producer at Dreamworks Animation and was previously Vice-President of Red Hour Films. She began her career as a director, writer and producer of documentaries at the BBC in London. Breay is a native of England and graduate of Cambridge University. She lives in Northern California.

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Biography from IMDb.

TMDB popularity, last 156 days to Oct 27Down 14% in 30 days

What are Lara Breay's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 0

Grounded 1 · Stylized 3 · Heightened 0

Gentle 1 · Charged 3 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 0 · Some laughs 2 · Funny 2

Slow burn 0 · Even-paced 3 · Relentless 1

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
3
Absurd
2
Warm
2
Thrilling
2
Hopeful
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lara Breay's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Netflix (2).

Subscription and free streaming for Lara Breay's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

  • The Twits(2025)

    Executive Producer

    Midcredits score: 12th percentile of all films
  • That Christmas(2024)

    Executive Producer

    Midcredits score: 77th percentile of all films
  • Ron's Gone Wrong(2021)

    Producer

    Midcredits score: 87th percentile of all films
  • Midcredits score: 67th percentile of all films
  • Megamind(2010)

    Producer

    Midcredits score: 91st percentile of all films
  • Blades of Glory(2007)

    Associate Producer

    Midcredits score: 57th percentile of all films

Career shape

A full career of 6 titles from 2007 to 2025.

By role

only this rolewith another role
Producing6 of 6: 6 only producing, 0 with another role · typical Midcredits score72nd

By decade

2000s1 · crew2010s2 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lara Breay's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 4

Approval · how many liked their films

81stpercentile
Typical film, the median of 4

Reach · how many have seen their films

95thpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lara Breay's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 34 · mildMedian of all films: 44
Sex & Nudity4 titlesmedian 19 · mildMedian of all films: 32
Profanity4 titlesmedian 22 · mildMedian of all films: 36
Alcohol & Drugs4 titlesmedian 12 · minimalMedian of all films: 33
Frightening / Intense4 titlesmedian 33 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Lara Breay work with?

People who share at least 2 of Lara Breay's MovieCove titles, grouped by what they did on them; Alan Schoolcraft shares the most, 2.

Writers

Actors

Composers and editors

Producers