Kenjirô Itô

What are Kenjirô Itô's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kenjirô Itô's films?

As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service.

• The Roku Channel2 titles, browse their movies on this service
  • Pokémon the Movie: Hoopa and the Clash of Ages (2015) · producer · free
  • Pokémon the Movie: Diancie and the Cocoon of Destruction (2014) · producer · free
• Tubi2 titles, browse their movies on this service
  • Pokémon the Movie: Hoopa and the Clash of Ages (2015) · producer · free
  • Pokémon the Movie: Diancie and the Cocoon of Destruction (2014) · producer · free

Subscription and free streaming for Kenjirô Itô's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a MovieCove page.

• 

  Pokémon the Movie: Hoopa and the Clash of Ages(2015)

  Producer

  Midcredits score: 50th percentile of all films50^th
• 

  Pokémon the Movie: Diancie and the Cocoon of Destruction(2014)

  Producer

  Midcredits score: 39th percentile of all films39^th
• 

  Pokémon Origins(2013)

  Show 4 episodes · Executive Producer

  Midcredits score: 83rd percentile of all shows83^rd
• 

  Meloetta's Moonlight Serenade (not in the MovieCove catalog yet)(2012)

  Production Executive
• 

  Pokémon: Zoroark: Master of Illusions(2010)

  Executive Producer

  Midcredits score: 54th percentile of all films54^th
• 

  Pokémon: Arceus and the Jewel of Life(2009)

  Executive Producer

  Midcredits score: 64th percentile of all films64^th
• 

  Pokémon: Giratina and the Sky Warrior(2008)

  Executive Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Pokémon: The Rise of Darkrai(2007)

  Executive Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Pokémon Mystery Dungeon: Team Go-Getters Out of the Gate!(2006)

  Executive Producer

  Midcredits score: 46th percentile of all films46^th
• 

  Pokémon Ranger and the Temple of the Sea(2006)

  Executive Producer

  Midcredits score: 46th percentile of all films46^th
• 

  Pokémon: Lucario and the Mystery of Mew(2005)

  Producer

  Midcredits score: 79th percentile of all films79^th

Career shape

A full career of 8 titles from 2006 to 2013.

Biggest box office

Pokémon: Zoroark: Master of Illusions (2010)

$71M worldwide

Highest rated

Pokémon: Lucario and the Mystery of Mew (2005)

Midcredits 79^th

Most popular right now

Pokémon the Movie: Diancie and the Cocoon of Destruction (2014)

How do Kenjirô Itô's films land?

Their typical MovieCove film has a Midcredits score in the 53^rd percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

7 of their 10 titles are Crowd Pleasers.

72

• Cult Classic1
• Crowd Pleaser7
• Mixed2

Most divisive · producer

Pokémon Mystery Dungeon: Team Go-Getters Out of the Gate! (2006)

79^th percentile spread · 24% rated it 4 or lower

Most loved · producer

Pokémon Origins (2013)

Midcredits 83^rd · 86% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kenjirô Itô work with?

People who share at least 2 of Kenjirô Itô's MovieCove titles, grouped by what they did on them; Kunihiko Yuyama shares the most, 8.