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Motif

What are Selma Mutal's films like?

Across their 7 Motif titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 0 · Serious 4 · Dark 3

A split, not a type: Grounded 4 · Stylized 3 · Heightened 0

Gentle 0 · Charged 4 · Intense 3

Steady 4 · Shifting 3 · Whiplash 0

Straight-faced 6 · Some laughs 1 · Funny 0

Slow burn 5 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 4 · Full focus 2

Easy watch 0 · Affecting 3 · Heavy 4

Resolved 0 · Open-ended 4 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
7
Contemplative
4
Tense
2
Bittersweet
2
Dread
1
Other
2

How their films end · 1 with a twist

  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Selma Mutal's films?

As of October 24, 2026, 1 of their 7 Motif titles stream on a subscription or free service.

Subscription and free streaming for Selma Mutal's titles on Motif; rent and buy are not counted.

Filmography

7 credits, 7 with a Motif page.

  • Midcredits score: 68th percentile of all films (provisional, few ratings)
  • Midcredits score: 62nd percentile of all films (provisional, few ratings)
  • The Europeans(2020)

    Composer

    Midcredits score: 37th percentile of all films
  • The Vanished Elephant(2014)

    Composer

    Midcredits score: 64th percentile of all films
  • The Milk of Sorrow(2009)

    Composer

    Midcredits score: 73rd percentile of all films
  • Undertow(2009)

    Composer

    Midcredits score: 94th percentile of all films
  • Madeinusa(2006)

    Composer

    Midcredits score: 74th percentile of all films

Career shape

Across their 7 Motif titles from 2006 to 2026.

By role

only this rolewith another role
Music7 of 7: 7 only music, 0 with another role · typical Midcredits score68th

By decade

2000s3 · crew2010s1 · crew2020s3 · crew

Counts over their Motif titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Selma Mutal's films land?

Their typical Motif film has a Midcredits score in the 68th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 7

Approval · how many liked their films

63rdpercentile
Typical film, the median of 7

Reach · how many have seen their films

38thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th1

Reviewers score the sound and music 73/100 in their films, across 3 reviewed titles; fans 76, detractors 60. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Selma Mutal work with?

People who share at least 2 of Selma Mutal's Motif titles, grouped by what they did on them; Delia García shares the most, 3.

Directors

Actors

Cinematographers and editors

Producers