Edoardo Maria Falcone

What are Edoardo Maria Falcone's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edoardo Maria Falcone's films?

As of October 24, 2026, none of Edoardo Maria Falcone's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Edoardo Maria Falcone's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Il Principe di Roma(2022)

  Director · Writer

  Midcredits score: 35th percentile of all films35^th
• 

  Io sono Babbo Natale(2021)

  Director · Writer

  Midcredits score: 52nd percentile of all films52^nd
• 

  Forever Young(2016)

  Writer

  Midcredits score: 21st percentile of all films21^st
• 

  A Fairy-Tale Wedding(2014)

  Writer

  Midcredits score: 24th percentile of all films24^th
• 

  Escort in Love(2011)

  Writer

  Midcredits score: 48th percentile of all films48^th

Career shape

Across their 5 MovieCove titles from 2011 to 2022.

Biggest box office

Escort in Love (2011)

$11M worldwide

Highest rated

Io sono Babbo Natale (2021)

Midcredits 52^nd

Most popular right now

Escort in Love (2011)

How do Edoardo Maria Falcone's films land?

Their typical MovieCove film has a Midcredits score in the 35^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 46^th percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 5 are Broadly Agreed.

5

• Broadly Agreed5

Most loved · director, writer

Io sono Babbo Natale (2021)

Midcredits 52^nd · 42% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edoardo Maria Falcone work with?

People who share at least 2 of Edoardo Maria Falcone's MovieCove titles, grouped by what they did on them; Luciana Pandolfelli shares the most, 4.