- Producer and writer
- 3 on MovieCove
What are James Higginson's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 0 · Stylized 2 · Heightened 1
Gentle 2 · Charged 1 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 0 · Funny 3
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch James Higginson's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for James Higginson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Midcredits score: 96th percentile of all films
Early Man(2018)
Midcredits score: 46th percentile of all films
Killing Bono(2011)
Midcredits score: 56th percentile of all films
Career shape
A full career of 2 titles from 2018 to 2024.
How do James Higginson's films land?
Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 1 is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Broadly Agreed1
Reviewers score the dialogue 58/100 and the plot and story 52/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does James Higginson work with?
People who share at least 2 of James Higginson's MovieCove titles, grouped by what they did on them; Nick Park shares the most, 2.
Directors
- Nick ParkShared titles: Wallace & Gromit: Vengeance Most Fowl (2024), Early Man (2018)See all 2 shared titles with Nick Park

Writers
- Mark BurtonShared titles: Wallace & Gromit: Vengeance Most Fowl (2024), Early Man (2018)See all 2 shared titles with Mark Burton

Cinematographers
- Dave Alex RiddettShared titles: Wallace & Gromit: Vengeance Most Fowl (2024), Early Man (2018)See all 2 shared titles with Dave Alex Riddett

Producers
- Carla ShelleyShared titles: Wallace & Gromit: Vengeance Most Fowl (2024), Early Man (2018)See all 2 shared titles with Carla Shelley
- David SproxtonShared titles: Wallace & Gromit: Vengeance Most Fowl (2024), Early Man (2018)See all 2 shared titles with David Sproxton

- Kerry LockShared titles: Wallace & Gromit: Vengeance Most Fowl (2024), Early Man (2018)See all 2 shared titles with Kerry Lock
- Peter LordShared titles: Wallace & Gromit: Vengeance Most Fowl (2024), Early Man (2018)See all 2 shared titles with Peter Lord
