Atsushi Watanabe

What are Atsushi Watanabe's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Atsushi Watanabe's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

• Fandor2 titles, browse their movies on this service
  • Door (1988) · producer
  • Evil Dead Trap (1988) · producer
• Prime Video1 title, browse their movies on this service
  • Evil Dead Trap (1988) · producer
• Tubi1 title, browse their movies on this service
  • Door (1988) · producer · free

Subscription and free streaming for Atsushi Watanabe's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Door II: Tokyo Diary(1991)

  Producer

  Midcredits score: 39th percentile of all films39^th
• 

  Neo Chinpira: Zoom Goes the Bullet(1990)

  Producer

  Midcredits score: 52nd percentile of all films52^nd
• 

  Door(1988)

  Producer

  Midcredits score: 58th percentile of all films58^th
• 

  Evil Dead Trap(1988)

  Producer

  Midcredits score: 55th percentile of all films55^th

Career shape

Across a limited sample of 4 MovieCove titles from 1988 to 1991.

Highest rated

Door (1988)

Midcredits 58^th

How do Atsushi Watanabe's films land?

Their typical MovieCove film has a Midcredits score in the 54^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Broadly Agreed.

31

• Broadly Agreed3
• Mixed1

Most loved · producer

Door (1988)

Midcredits 58^th · 49% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Atsushi Watanabe work with?

People who share at least 2 of Atsushi Watanabe's MovieCove titles, grouped by what they did on them; Banmei Takahashi shares the most, 3.