Mizue Kunizane

What are Mizue Kunizane's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mizue Kunizane's films?

As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service.

• Fandor1 title, browse their movies on this service
  • Plan 75 (2022) · producer

Subscription and free streaming for Mizue Kunizane's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 7 with a MovieCove page.

• 

  Renoir(2025)

  Executive Producer

  Midcredits score: 61st percentile of all films61^st
• 

  Lost Land(2025)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Instruments of a Beating Heart (not in the MovieCove catalog yet)(2024)

  Executive Producer
• 

  A Girl Named Ann (not in the MovieCove catalog yet)(2024)

  Development Manager
• 

  The Making of a Japanese(2023)

  Executive Producer

  Midcredits score: 90th percentile of all films90^th
• 

  Dreaming in Between (not in the MovieCove catalog yet)(2023)

  Producer
• 

  Plan 75(2022)

  Executive Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Gangoose (not in the MovieCove catalog yet)(2018)

  Development Producer
• 

  The Land of Hope (not in the MovieCove catalog yet)(2012)

  Producer
• 

  Guilty of Romance(2011)

  Story

  Midcredits score: 74th percentile of all films74^th
• 

  Himizu(2011)

  Producer

  Midcredits score: 84th percentile of all films84^th
• 

  Then Summer Came (not in the MovieCove catalog yet)(2008)

  Executive Producer
• 

  Adrift in Tokyo (not in the MovieCove catalog yet)(2007)

  Executive Producer
• 

  Strange Circus(2005)

  Development Manager

  Midcredits score: 81st percentile of all films81^st
• 

  Film Noir (not in the MovieCove catalog yet)(2000)

  Producer

Career shape

A full career of 13 titles from 2000 to 2025.

Biggest box office

Himizu (2011)

$1.2M worldwide

Highest rated

Lost Land (2025)

Midcredits 89^th

Most popular right now

Guilty of Romance (2011)

How do Mizue Kunizane's films land?

Their typical MovieCove film has a Midcredits score in the 81^st percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 88^th percentile for acclaim.

Shape of the crowd

None of their 7 titles divides audiences: 7 are Crowd Pleasers.

7

• Crowd Pleaser7

Most loved · producer

The Making of a Japanese (2023)

Midcredits 90^th · 78% liked

Reviewers score the dialogue 47/100 and the plot and story 47/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mizue Kunizane work with?

People who share at least 2 of Mizue Kunizane's MovieCove titles, grouped by what they did on them; Sion Sono shares the most, 2.