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MovieCove

Anna Mass

Editor

Works as
Editor
Titles
4 on MovieCove · 16 credits in all
TMDB popularity, last 39 days to Oct 28Down 13% in 30 days

What are Anna Mass' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Morality.

Themes

share of theme weight
Power
22%
Morality
22%
Society
16%
Bonds
13%
Self
13%
Survival
13%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 3

Grounded 1 · Stylized 3 · Heightened 0

Gentle 0 · Charged 2 · Intense 2

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 0 · Relentless 0

Casual 0 · Engaged 4 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 3

A split, not a type: Resolved 1 · Open-ended 1 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
2
Cold
2
Contemplative
2
Melancholic
2
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Mass' films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on The Roku Channel (1).

Subscription and free streaming for Anna Mass' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 4 with a MovieCove page.

  • Finding Closure (not in the MovieCove catalog yet)(2022)

    Show 7 episodes · Editor · Post Production Producer

  • Mama, I'm Home (not in the MovieCove catalog yet)(2022)

    Editor

  • Cursed Days (not in the MovieCove catalog yet)(2020)

    Show 1 episode · Editor

  • Odin vdokh(2020)

    Editor

    Midcredits score: 65th percentile of all films
  • The Port (not in the MovieCove catalog yet)(2019)

    Editor

  • Through the Black Glass (not in the MovieCove catalog yet)(2019)

    Editor

  • #OneSummerDay (not in the MovieCove catalog yet)(2018)

    Editor

  • Deep Rivers (not in the MovieCove catalog yet)(2018)

    Editor

  • Wild Roses (not in the MovieCove catalog yet)(2017)

    Editor

  • Loveless(2017)

    Editor

    Midcredits score: 95th percentile of all films
  • Red Garden (not in the MovieCove catalog yet)(2016)

    Editor

  • Leviathan(2014)

    Editor

    Midcredits score: 95th percentile of all films
  • Mystery (not in the MovieCove catalog yet)(2011)

    Editor

  • Elena(2011)

    Editor

    Midcredits score: 91st percentile of all films
  • The Banishment (not in the MovieCove catalog yet)(2008)

    Editor

  • Sokurov (not in the MovieCove catalog yet)(2006)

    Editor

Career shape

A full career of 16 titles from 2006 to 2022.

By role

only this rolewith another role
Producing1 of 16: 0 only producing, 1 with another roleEditing16 of 16: 15 only editing, 1 with another role

By decade

2000s2 · crew2010s10 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Anna Mass' films land?

Their typical MovieCove film has a Midcredits score in the 93rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 92nd percentile for acclaim.

Acclaim · how much people like their films

92ndpercentile
Typical film, the median of 4

Approval · how many liked their films

90thpercentile
Typical film, the median of 4

Reach · how many have seen their films

89thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 50th to 74th1

Shape of the crowd

None of their 4 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser2

Reviewers score the pacing 40/100 in their films, across 3 reviewed titles; fans 52, detractors 16. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anna Mass work with?

People who share at least 2 of Anna Mass' MovieCove titles, grouped by what they did on them; Andrey Zvyagintsev shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers

Producers