Pao Orendain
- Cinematographer
- 14 on MovieCove
What are Pao Orendain's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 13
A split, not a type: Light 4 · Serious 4 · Dark 6
Grounded 9 · Stylized 5 · Heightened 0
Gentle 3 · Charged 6 · Intense 5
Steady 6 · Shifting 7 · Whiplash 1
Straight-faced 12 · Some laughs 1 · Funny 1
Slow burn 9 · Even-paced 5 · Relentless 0
Casual 6 · Engaged 6 · Full focus 2
A split, not a type: Easy watch 2 · Affecting 4 · Heavy 8
Resolved 6 · Open-ended 8 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet9
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Pao Orendain's films?
As of October 24, 2026, 10 of their 14 MovieCove titles stream on a subscription or free service, most on Netflix (5).
Subscription and free streaming for Pao Orendain's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 14 with a MovieCove page.
Midnight Girls(2026)
Midcredits score: 85th percentile of all films
The Loved One(2026)
Midcredits score: 56th percentile of all films
Lasting Moments(2025)
Midcredits score: 45th percentile of all films
Only We Know(2025)
Midcredits score: 68th percentile of all films
Sunshine(2024)
Midcredits score: 93rd percentile of all films
Uninvited(2024)
Midcredits score: 31st percentile of all films
Mallari(2023)
Midcredits score: 46th percentile of all films
366(2022)
Midcredits score: 42nd percentile of all films
Midcredits score: 51st percentile of all films
Meet Me in St. Gallen(2018)
Midcredits score: 65th percentile of all films
Binhi(2015)
Midcredits score: 6th percentile of all films (provisional, few ratings)
Midcredits score: 39th percentile of all films
Diary of an Ugly(2014)
Midcredits score: 58th percentile of all films
When the Love Is Gone(2013)
Midcredits score: 46th percentile of all films (provisional, few ratings)
Career shape
Across their 14 MovieCove titles from 2013 to 2026.
Biggest box office
Diary of an Ugly (2014)
Highest rated
Sunshine (2024)
Most popular right now
Midnight Girls (2026)
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Pao Orendain's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th6
- Below 25th1
Shape of the crowd
6 of their 14 titles are Mixed.
- Divisive4
- Cult Classic3
- Crowd Pleaser1
- Mixed6
Reviewers score the cinematography 74/100 in their films, across 5 reviewed titles; fans 80, detractors 70. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Pao Orendain work with?
People who share at least 2 of Pao Orendain's MovieCove titles, grouped by what they did on them; Irene Villamor shares the most, 7.
Directors
- Irene VillamorShared titles: Midnight Girls (2026), The Loved One (2026), Only We Know (2025), Uninvited (2024), 366 (2022), On Vodka, Beers, and Regrets (2020), Meet Me in St. Gallen (2018)See all 7 shared titles with Irene Villamor
- Andoy RanayShared titles: For the Hopeless Romantic (2015), Diary of an Ugly (2014), When the Love Is Gone (2013)See all 3 shared titles with Andoy Ranay
Writers
- Mel Mendoza-Del RosarioShared titles: For the Hopeless Romantic (2015), Diary of an Ugly (2014)See all 2 shared titles with Mel Mendoza-Del Rosario
Actors
- Nadine LustreShared titles: Uninvited (2024), For the Hopeless Romantic (2015), Diary of an Ugly (2014)See all 3 shared titles with Nadine Lustre
- JC SantosShared titles: Mallari (2023), 366 (2022), On Vodka, Beers, and Regrets (2020)See all 3 shared titles with JC Santos
- Bela PadillaShared titles: 366 (2022), On Vodka, Beers, and Regrets (2020), Meet Me in St. Gallen (2018)See all 3 shared titles with Bela Padilla
- Jackie Lou BlancoShared titles: The Loved One (2026), For the Hopeless Romantic (2015)See all 2 shared titles with Jackie Lou Blanco
Composers and editors
- Len CalvoShared titles: Midnight Girls (2026), The Loved One (2026), Lasting Moments (2025), Only We Know (2025), Uninvited (2024)See all 5 shared titles with Len Calvo
- Benjamin Gonzales TolentinoShared titles: The Loved One (2026), Only We Know (2025)See all 2 shared titles with Benjamin Gonzales Tolentino
- Renard TorresShared titles: Midnight Girls (2026), 366 (2022)See all 2 shared titles with Renard Torres
- Noah TongaShared titles: Lasting Moments (2025), Mallari (2023)See all 2 shared titles with Noah Tonga
Producers
- June Torrejon-RufinoShared titles: The Loved One (2026), 366 (2022), On Vodka, Beers, and Regrets (2020), Meet Me in St. Gallen (2018), For the Hopeless Romantic (2015), Diary of an Ugly (2014), When the Love Is Gone (2013)See all 7 shared titles with June Torrejon-Rufino
- Veronique Del Rosario-CorpusShared titles: The Loved One (2026), 366 (2022), On Vodka, Beers, and Regrets (2020), Meet Me in St. Gallen (2018), For the Hopeless Romantic (2015), Diary of an Ugly (2014), When the Love Is Gone (2013)See all 7 shared titles with Veronique Del Rosario-Corpus
- Vic Del Rosario Jr.Shared titles: The Loved One (2026), 366 (2022), On Vodka, Beers, and Regrets (2020), Meet Me in St. Gallen (2018), For the Hopeless Romantic (2015), Diary of an Ugly (2014), When the Love Is Gone (2013)See all 7 shared titles with Vic Del Rosario Jr.
- Vincent Del Rosario IIIShared titles: The Loved One (2026), 366 (2022), On Vodka, Beers, and Regrets (2020), Meet Me in St. Gallen (2018), For the Hopeless Romantic (2015), Diary of an Ugly (2014), When the Love Is Gone (2013)See all 7 shared titles with Vincent Del Rosario III
Mixed roles
- Charo Santos-ConcioShared titles: Only We Know (2025), For the Hopeless Romantic (2015)See all 2 shared titles with Charo Santos-Concio
- Antoinette JadaoneShared titles: Sunshine (2024), Uninvited (2024)See all 2 shared titles with Antoinette Jadaone
- Piolo PascualShared titles: Mallari (2023), Meet Me in St. Gallen (2018)See all 2 shared titles with Piolo Pascual
