Elia Mazzoni

What are Elia Mazzoni's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Elia Mazzoni's films?

As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.

• Pluto TV1 title, browse their movies on this service
  • The First King (2019) · producer · free
• Tubi1 title, browse their movies on this service
  • The First King (2019) · producer · free

Subscription and free streaming for Elia Mazzoni's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  The Holy Boy(2025)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  La coda del diavolo(2024)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  Chiamami ancora amore(2021)

  Show Producer

  Midcredits score: 40th percentile of all shows (provisional, few ratings)~40^th
• 

  The First King(2019)

  Producer

  Midcredits score: 68th percentile of all films68^th
• 

  Stories of Love That Cannot Belong to This World(2017)

  Producer

  Midcredits score: 45th percentile of all films45^th
• 

  Italian Race(2016)

  Producer

  Midcredits score: 91st percentile of all films91^st

Career shape

Across their 6 MovieCove titles from 2016 to 2025.

Biggest box office

The First King (2019)

$2.4M worldwide

Highest rated

Italian Race (2016)

Midcredits 91^st

Most popular right now

The Holy Boy (2025)

How do Elia Mazzoni's films land?

Their typical MovieCove film has a Midcredits score in the 67^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 70^th percentile for acclaim.

Shape of the crowd

4 of their 6 titles are Crowd Pleasers.

411

• Crowd Pleaser4
• Broadly Agreed1
• Mixed1

Most divisive · producer

La coda del diavolo (2024)

52^nd percentile spread · 10% rated it 4 or lower

Most loved · producer

Italian Race (2016)

Midcredits 91^st · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Elia Mazzoni work with?

People who share at least 2 of Elia Mazzoni's MovieCove titles, grouped by what they did on them; Matteo Rovere shares the most, 3.