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Motif
Christoph Bauschinger

Christoph Bauschinger

Composer

Christoph Bauschinger is an award-winning Music Editor and Producer with over 70 feature film and flagship television credits to his name. Originally from Munich, Germany, Christoph started out working as in-house engineer for Grammy winning producer Steve Mclaughlin after finishing his composition MA at the University of Bristol. As a multi-instrumentalist, programmer and engineer Christoph soon found himself covering music editorial duties, notably opening the dub for Matthew Vaughn's Kickass as his first major credit. Standout projects in the following years include Tom Hoopers Les Miserables, Studiocanal's Paddington Bear, Danny Boyle's PISTOL, and producing the score for The Kid Who Would Be King, directed by Joe Cornish. Christoph's background in performing and production makes him particularly suited to working with musical artists exploring the world of film scoring, and this has lead to a range of successful collaborations with artists including Damon Albarn (The Kid Who Would Be King/Joe Cornish) Underworld (PISTOL/Danny Boyle) Nick Urata (Paddington Bear/Paul King) and The Cinematic Orchestra (the Crimson Wing) to date. Christoph's recent work includes the Charlie and the Chocolate Factory origins movie Wonka directed by Paul King, Netflix's Lockwood & Co. and The Gentlemen, Guy Ritchie's spin-off series of his 2020 movie.

Read more

Biography from IMDb.

Works as
Composer
Titles
24 on Motif · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 5% in 30 days

What are Christoph Bauschinger's films like?

Across a limited sample of 4 Motif titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
48%
Bonds
29%
Survival
13%
Power
6%
Society
5%
Identity2 titles, browse their movies with this themePurpose2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 2 · Serious 1 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 0 · Shifting 2 · Whiplash 1

Funny: How much of the runtime is played for laughs. Browse their funny movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 1 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Absurd
2
Warm
2
Tense
1
Joyful
1
Other
3

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Christoph Bauschinger's films?

As of October 24, 2026, 18 of their 24 Motif titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Christoph Bauschinger's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 24 with a Motif page.

  • How to Make a Killing(2026)

    Music Editor

    Midcredits score: 59th percentile of all films

  • Sunlight(2024)

    Composer

    Midcredits score: 80th percentile of all films

  • The Gentlemen(2024)

    Show 8 episodes · Music Editor

    Midcredits score: 94th percentile of all shows

  • Wonka(2023)

    Music Editor

    Midcredits score: 76th percentile of all films

  • Lockwood & Co.(2023)

    Show Composer

    Midcredits score: 76th percentile of all shows

  • The Electrical Life of Louis Wain(2021)

    Music Editor

    Midcredits score: 79th percentile of all films

  • The Exchange(2021)

    Composer

    Midcredits score: 35th percentile of all films

  • Godmothered(2020)

    Music Editor

    Midcredits score: 47th percentile of all films

  • Rebecca(2020)

    Music Editor

    Midcredits score: 38th percentile of all films

  • Brassic(2019)

    Show 6 episodes · Compositor

    Midcredits score: 98th percentile of all shows

  • The Current War(2017)

    Music Editor

    Midcredits score: 62nd percentile of all films

  • S|T|R|A|Y|S (not in the Motif catalog yet)(2017)

    Composer

  • Viceroy's House(2017)

    Music Editor

    Midcredits score: 67th percentile of all films

  • Their Finest(2016)

    Music Editor

    Midcredits score: 74th percentile of all films

  • Race(2016)

    Music Editor

    Midcredits score: 82nd percentile of all films

  • Woman in Gold(2015)

    Music Editor

    Midcredits score: 88th percentile of all films

  • Altar(2014)

    Music Editor

    Midcredits score: 17th percentile of all films

  • Jail Caesar (not in the Motif catalog yet)(2012)

    Composer

  • Her Master's Voice(2012)

    Composer

    Midcredits score: 89th percentile of all films

  • Blitz(2011)

    Music Programmer

    Midcredits score: 45th percentile of all films

  • Brighton Rock(2010)

    Music Editor

    Midcredits score: 30th percentile of all films

  • Strike Back(2010)

    Show 1 episode · Music Editor

    Midcredits score: 90th percentile of all shows

  • Kick-Ass(2010)

    Music Editor

    Midcredits score: 92nd percentile of all films

  • Centurion(2010)

    Music Editor

    Midcredits score: 52nd percentile of all films

  • Sex & Drugs & Rock & Roll(2010)

    Music Editor

    Midcredits score: 65th percentile of all films

  • From Time to Time(2009)

    Music Editor

    Midcredits score: 69th percentile of all films

Career shape

A full career of 24 titles from 2009 to 2026.

Biggest box office

Sunlight (2024)

$18K worldwide

Highest rated

Her Master's Voice (2012)

Midcredits 89th

Most popular right now

Lockwood & Co. (2023)

By role

only this rolewith another role
Music4 of 24: 4 only music, 0 with another roleOther crew20 of 24: 20 only other crew, 0 with another role · typical Midcredits score68th

By decade

2000s1 · crew2010s16 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Christoph Bauschinger's films land?

Their typical Motif film has a Midcredits score in the 66th percentile, the median of all 20; across a limited sample of 3 films with reception data, the typical film sits in the 77th percentile for acclaim.

Acclaim · how much people like their films

77thpercentile
Typical film, the median of 3

Approval · how many liked their films

80thpercentile
Typical film, the median of 3

Reach · how many have seen their films

61stpercentile
Typical film, the median of 3

Midcredits score across 24 titles, by percentile

  • 75th and up11
  • 50th to 74th7
  • 25th to 49th5
  • Below 25th1

Shape of the crowd

13 of their 24 titles are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser13
  • Broadly Agreed3
  • Mixed3

Most divisive · composer

The Exchange (2021)

50th percentile spread · 22% rated it 4 or lower

Most loved · composer

Her Master's Voice (2012)

Midcredits 89th · 78% liked

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Christoph Bauschinger work with?

People who share at least 2 of Christoph Bauschinger's Motif titles, grouped by what they did on them; Nina Conti shares the most, 2.

Directors

Editors

Producers