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Carlo Rinaldi

Carlo Rinaldi

Cinematographer

Carlo Rinaldi is an Italian cinematographer who splits his time between Rome and Los Angeles, USA.

Biography from TMDB.

What are Carlo Rinaldi's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Survival.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 6 · Stylized 3 · Heightened 0

Gentle 3 · Charged 5 · Intense 1

Steady 4 · Shifting 4 · Whiplash 1

A split, not a type: Straight-faced 4 · Some laughs 5 · Funny 0

Slow burn 6 · Even-paced 3 · Relentless 0

A split, not a type: Casual 4 · Engaged 3 · Full focus 2

A split, not a type: Resolved 4 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
8
Tense
6
Melancholic
3
Dread
2
Bittersweet
3
Other
8

How their films end · 1 with a twist

  • Bittersweet3
  • Tragic2
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carlo Rinaldi's films?

As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Carlo Rinaldi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 11 with a MovieCove page.

  • If I Tell You(2024)

    Cinematographer

    Midcredits score: 75th percentile of all films (provisional, few ratings)
  • Antartica - Quasi una fiaba(2026)

    Cinematographer

    Midcredits score: 42nd percentile of all films
  • Una notte ancora (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • In the box (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • Champagne - Peppino di Capri (not in the MovieCove catalog yet)(2025)

    Cinematographer

  • Shoot Me: The Real Story of the Italian Texas Gladiators (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • Europa Centrale (not in the MovieCove catalog yet)(2024)

    Cinematographer

  • La primavera della mia vita (not in the MovieCove catalog yet)(2023)

    Cinematographer

  • Koza Nostra. Mom's Coming (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • The King(2022)

    Show 8 episodes · Camera Department Manager · Cinematographer

    Midcredits score: 44th percentile of all shows
  • Everything Calls for Salvation(2022)

    Show Cinematographer

    Midcredits score: 76th percentile of all shows
  • Midcredits score: 76th percentile of all films
  • Count Me In(2021)

    Cinematographer

    Midcredits score: 72nd percentile of all films
  • Everything's Gonna Be Alright(2020)

    Cinematographer

    Midcredits score: 73rd percentile of all films
  • The Predators(2020)

    Cinematographer

    Midcredits score: 56th percentile of all films
  • Abbi fede (not in the MovieCove catalog yet)(2020)

    Cinematographer

  • A Short Story (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • To My Pink Lady (not in the MovieCove catalog yet)(2019)

    Cinematographer

  • The Haunting of Sharon Tate(2019)

    Cinematographer

    Midcredits score: 1st percentile of all films
  • The Amityville Murders(2018)

    Cinematographer

    Midcredits score: 8th percentile of all films
  • Revisiting Life is Beautiful 15 Years After (not in the MovieCove catalog yet)(2012)

    Cinematographer

  • The Cricket (not in the MovieCove catalog yet)(2011)

    Assistant Camera

  • Hit the Road, Nonna(2011)

    Cinematographer

    Midcredits score: 39th percentile of all films (provisional, few ratings)
  • Cocapop (not in the MovieCove catalog yet)(2010)

    Assistant Camera

  • Postcards from Italy (not in the MovieCove catalog yet)

    Show 1 episode · Cinematographer

Career shape

A full career of 21 titles, 20 of them dated from 2010 to 2026.

By role

only this rolewith another role
Cinematography18 of 21: 18 only cinematography, 0 with another role · typical Midcredits score65thOther crew3 of 21: 3 only other crew, 0 with another role

By decade

2010s7 · crew2020s13 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Carlo Rinaldi's films land?

Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 9

Approval · how many liked their films

52ndpercentile
Typical film, the median of 9

Reach · how many have seen their films

60thpercentile
Typical film, the median of 9

Midcredits score across 11 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th2

Reviewers score the cinematography 37/100 in their films, across 3 reviewed titles; fans 58, detractors 27. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carlo Rinaldi work with?

People who share at least 2 of Carlo Rinaldi's MovieCove titles, grouped by what they did on them; Francesco Bruni shares the most, 2.

Directors

Actors

Editors

Producers