
Carlo Rinaldi
Carlo Rinaldi is an Italian cinematographer who splits his time between Rome and Los Angeles, USA.
Biography from TMDB.
- Cinematographer
- 11 on MovieCove · 25 credits in all
Known for
What are Carlo Rinaldi's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 8
Light 3 · Serious 4 · Dark 2
Grounded 6 · Stylized 3 · Heightened 0
Gentle 3 · Charged 5 · Intense 1
Steady 4 · Shifting 4 · Whiplash 1
A split, not a type: Straight-faced 4 · Some laughs 5 · Funny 0
Slow burn 6 · Even-paced 3 · Relentless 0
A split, not a type: Casual 4 · Engaged 3 · Full focus 2
Easy watch 4 · Affecting 4 · Heavy 1
A split, not a type: Resolved 4 · Open-ended 3 · Ambiguous 2
Moods and endings
- Bittersweet3
- Tragic2
- Ambiguous6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Carlo Rinaldi's films?
As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Carlo Rinaldi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 11 with a MovieCove page.

If I Tell You(2024)
Midcredits score: 75th percentile of all films (provisional, few ratings)
Midcredits score: 42nd percentile of all films
Una notte ancora (not in the MovieCove catalog yet)(2025)

In the box (not in the MovieCove catalog yet)(2025)

Champagne - Peppino di Capri (not in the MovieCove catalog yet)(2025)
Shoot Me: The Real Story of the Italian Texas Gladiators (not in the MovieCove catalog yet)(2024)

Europa Centrale (not in the MovieCove catalog yet)(2024)

La primavera della mia vita (not in the MovieCove catalog yet)(2023)

Koza Nostra. Mom's Coming (not in the MovieCove catalog yet)(2022)

The King(2022)
Midcredits score: 44th percentile of all shows
Midcredits score: 76th percentile of all shows
Midcredits score: 76th percentile of all films
Count Me In(2021)
Midcredits score: 72nd percentile of all films
Midcredits score: 73rd percentile of all films
The Predators(2020)
Midcredits score: 56th percentile of all films
Abbi fede (not in the MovieCove catalog yet)(2020)

A Short Story (not in the MovieCove catalog yet)(2019)

To My Pink Lady (not in the MovieCove catalog yet)(2019)
Midcredits score: 1st percentile of all films
The Amityville Murders(2018)
Midcredits score: 8th percentile of all filmsRevisiting Life is Beautiful 15 Years After (not in the MovieCove catalog yet)(2012)
The Cricket (not in the MovieCove catalog yet)(2011)

Hit the Road, Nonna(2011)
Midcredits score: 39th percentile of all films (provisional, few ratings)
Cocapop (not in the MovieCove catalog yet)(2010)
Postcards from Italy (not in the MovieCove catalog yet)
Career shape
A full career of 21 titles, 20 of them dated from 2010 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Carlo Rinaldi's films land?
Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th3
- Below 25th2
Shape of the crowd
5 of their 11 titles are Mixed.
- Divisive1
- Cult Classic1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed5
Reviewers score the cinematography 37/100 in their films, across 3 reviewed titles; fans 58, detractors 27. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Carlo Rinaldi work with?
People who share at least 2 of Carlo Rinaldi's MovieCove titles, grouped by what they did on them; Francesco Bruni shares the most, 2.
Directors
- Francesco BruniShared titles: Everything Calls for Salvation (2022), Everything's Gonna Be Alright (2020)See all 2 shared titles with Francesco Bruni

- Daniel FarrandsShared titles: The Haunting of Sharon Tate (2019), The Amityville Murders (2018)See all 2 shared titles with Daniel Farrands

Actors
- Barbara RonchiShared titles: Antartica - Quasi una fiaba (2026), Everything's Gonna Be Alright (2020)See all 2 shared titles with Barbara Ronchi

- Stefano Rossi GiordaniShared titles: Antartica - Quasi una fiaba (2026), Everything's Gonna Be Alright (2020)See all 2 shared titles with Stefano Rossi Giordani

- Fotinì PelusoShared titles: Everything Calls for Salvation (2022), Everything's Gonna Be Alright (2020)See all 2 shared titles with Fotinì Peluso

- Lorenza IndovinaShared titles: Everything Calls for Salvation (2022), Everything's Gonna Be Alright (2020)See all 2 shared titles with Lorenza Indovina

Editors
- Alessandro HefflerShared titles: Everything Calls for Salvation (2022), Everything's Gonna Be Alright (2020)See all 2 shared titles with Alessandro Heffler
- Luca CarreraShared titles: Everything Calls for Salvation (2022), Everything's Gonna Be Alright (2020)See all 2 shared titles with Luca Carrera
- Dan RiddleShared titles: The Haunting of Sharon Tate (2019), The Amityville Murders (2018)See all 2 shared titles with Dan Riddle

Producers
- Sonia RovaiShared titles: Antartica - Quasi una fiaba (2026), The King (2022)See all 2 shared titles with Sonia Rovai
- Charles Arthur BergShared titles: The Haunting of Sharon Tate (2019), The Amityville Murders (2018)See all 2 shared titles with Charles Arthur Berg

- Eric BrennerShared titles: The Haunting of Sharon Tate (2019), The Amityville Murders (2018)See all 2 shared titles with Eric Brenner

- Jim JacobsenShared titles: The Haunting of Sharon Tate (2019), The Amityville Murders (2018)See all 2 shared titles with Jim Jacobsen
