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Marc Hoeferlin is a British filmmaker, editor, and creative producer whose work spans more than two decades of acclaimed documentaries and collaborations with some of the industry’s most respected directors. He is a member of the Academy of Motion Picture Arts and Sciences (Oscars), BAFTA, and the Television Academy, recognition of his significant contributions to international film and television. Marc’s career began with Night Commuters (2005), a powerful film shot in Northern Uganda about children affected by the war. He went on to forge a long-standing creative partnership with filmmaker Nick Broomfield, producing and editing several of his films, including Whitney: Can I Be Me (2017), which premiered at Tribeca, and Tales of the Grim Sleeper (2014), which was shortlisted for the Academy Awards His more recent credits include Marianne & Leonard: Words of Love (2019), which premiered at Sundance, My Father and Me (2021), Last Man Standing (2021), and The Stones and Brian Jones (2023). In addition, Marc was also one of the editors on Univerals documentary Iron Maiden: Burning Ambition (2026). Deeply connected to the African continent, where he lives in Kenya, Marc has directed and produced several projects in the region. Among them is Albino United (2010), a documentary about an albino football team in Tanzania, for Channel 4 and National Geographic. He also led production at Vivid Features as Features Bureau Producer, exclusively delivering three weekly shows for CNN: African Voices, African Start-Up, and Marketplace Africa. Marc’s body of work reflects a consistent drive to tell human stories with global resonance, whether documenting war, music, culture, or identity. His films have screened at major international festivals, broadcast on leading networks, and reached audiences worldwide.

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Biography from IMDb.

Works as
Producer, editor, writer and cinematographer
Titles
6 on MovieCove · 10 credits in all

What are Marc Hoeferlin's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Survival.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 4

Grounded 6 · Stylized 0 · Heightened 0

Gentle 2 · Charged 2 · Intense 2

Steady 3 · Shifting 3 · Whiplash 0

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 4 · Full focus 0

A split, not a type: Resolved 4 · Open-ended 0 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
5
Tense
3
Bittersweet
2
Contemplative
3
Dread
1
Other
4

How their films end

  • Happy1
  • Bittersweet1
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marc Hoeferlin's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Marc Hoeferlin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 6 with a MovieCove page.

  • Midcredits score: 93rd percentile of all films
  • The Stones and Brian Jones(2023)

    Cinematographer · Editor · Producer · Writer

    Midcredits score: 78th percentile of all films
  • Midcredits score: 64th percentile of all films
  • Marianne & Leonard: Words of Love(2019)

    Editor · Producer · Writer

    Midcredits score: 78th percentile of all films
  • Whitney: Can I Be Me(2017)

    Editor · Producer · Writer

    Midcredits score: 69th percentile of all films
  • Tales of the Grim Sleeper (not in the MovieCove catalog yet)(2014)

    Editor · Producer

  • Sex: My British Job (not in the MovieCove catalog yet)(2013)

    Producer · Writer

  • Sarah Palin: You Betcha! (not in the MovieCove catalog yet)(2011)

    Producer

  • Battle for Haditha(2007)

    Additional Camera · Producer · Writer

    Midcredits score: 73rd percentile of all films
  • Ghosts (not in the MovieCove catalog yet)(2006)

    as People Smuggler in Calais

Career shape

A full career of 9 titles from 2006 to 2026.

By role

only this rolewith another role
Acting1 of 9: 1 only acting, 0 with another roleWriting3 of 9: 0 only writing, 3 with another roleProducing6 of 9: 2 only producing, 4 with another roleCinematography1 of 9: 0 only cinematography, 1 with another roleEditing3 of 9: 1 only editing, 2 with another roleOther crew1 of 9: 0 only other crew, 1 with another role

9 titles, 5 with more than one role — producing and editing overlap on 2 of them.

By decade

2000s2 · 1 acting · 1 crew2010s4 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Marc Hoeferlin's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 6

Approval · how many liked their films

79thpercentile
Typical film, the median of 6

Reach · how many have seen their films

68thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th3

Reviewers score the pacing 47/100 in their films, across 6 reviewed titles; fans 54, detractors 28. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Marc Hoeferlin work with?

People who share at least 2 of Marc Hoeferlin's MovieCove titles, grouped by what they did on them; Nick Broomfield shares the most, 5.

Directors

Composers and cinematographers

Producers

Mixed roles