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Eunsoo Cho

Cinematographer · Seoul, South Korea

From
Seoul, South Korea
Works as
Cinematographer
Titles
4 on MovieCove · 6 credits in all
TMDB popularity, last 39 days to Oct 28Up 46% in 30 days

What are Eunsoo Cho's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

Themes

share of theme weight
Society
37%
Bonds
16%
Self
16%
Survival
16%
Morality
10%
Ideas
5%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 2 · Stylized 1 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

A split, not a type: Casual 1 · Engaged 0 · Full focus 2

A split, not a type: Resolved 1 · Open-ended 0 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Melancholic
3
Warm
1
Elegiac
1
Hopeful
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Eunsoo Cho's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Eunsoo Cho's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 4 with a MovieCove page.

  • The Last of the Sea Women(2024)

    Cinematographer

    Midcredits score: 87th percentile of all films
  • I Was a Simple Man(2021)

    Cinematographer

    Midcredits score: 52nd percentile of all films
  • Victim(s) (not in the MovieCove catalog yet)(2020)

    Cinematographer

  • August at Akiko's(2018)

    Cinematographer

    Midcredits score: 57th percentile of all films
  • Dark Mountain(2013)

    Gaffer

    Midcredits score: 6th percentile of all films
  • Ghosts (not in the MovieCove catalog yet)(2011)

    Cinematographer

Career shape

A full career of 6 titles from 2011 to 2024.

By role

only this rolewith another role
Cinematography5 of 6: 5 only cinematography, 0 with another roleOther crew1 of 6: 1 only other crew, 0 with another role

By decade

2010s3 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Eunsoo Cho's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 3

Approval · how many liked their films

51stpercentile
Typical film, the median of 3

Reach · how many have seen their films

77thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • Below 25th1

Reviewers score the cinematography 86/100 in their films, across 3 reviewed titles; fans 90, detractors 75. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Eunsoo Cho work with?

People who share at least 2 of Eunsoo Cho's MovieCove titles, grouped by what they did on them; Christopher Makoto Yogi shares the most, 2.

Directors

Composers

Producers