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George D. Escobar

Director, producer, writer and editor

Works as
Director, producer, writer and editor
Titles
4 on MovieCove · 8 credits in all
TMDB popularity, last 39 days to Oct 28Down 31% in 30 days

What are George D. Escobar's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 0 · Heightened 0

Gentle 2 · Charged 2 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Hopeful
4
Warm
2
Tense
2
Romantic
1
Joyful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch George D. Escobar's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for George D. Escobar's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 4 with a MovieCove page.

  • Midcredits score: 44th percentile of all films
  • The World We Make(2019)

    Producer · Screenplay

    Midcredits score: 38th percentile of all films
  • The Harbinger Man (not in the MovieCove catalog yet)(2015)

    Director · Editor

  • Hero(2014)

    Editor · Producer

    Midcredits score: 82nd percentile of all films (provisional, few ratings)
  • Alone Yet Not Alone(2013)

    Director · Producer · Screenplay

    Midcredits score: 31st percentile of all films
  • Disinformation (not in the MovieCove catalog yet)(2013)

    Producer

  • The Isaiah 9:10 Judgment (not in the MovieCove catalog yet)(2012)

    Director · Cinematographer · Editor

  • Come What May (not in the MovieCove catalog yet)(2009)

    Director · Screenplay · Story

Career shape

A full career of 7 titles from 2009 to 2020.

By role

only this rolewith another role
Directing4 of 7: 0 only directing, 4 with another roleWriting3 of 7: 0 only writing, 3 with another roleProducing4 of 7: 2 only producing, 2 with another roleCinematography1 of 7: 0 only cinematography, 1 with another roleEditing2 of 7: 0 only editing, 2 with another role

7 titles, 5 with more than one role — directing and producing overlap on 1 of them.

By decade

2000s1 · crew2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do George D. Escobar's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 4

Approval · how many liked their films

49thpercentile
Typical film, the median of 4

Reach · how many have seen their films

49thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 25th to 49th3

Reviewers score the pacing 48/100 in their films, across 3 reviewed titles; fans 62, detractors 35. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does George D. Escobar work with?

People who share at least 2 of George D. Escobar's MovieCove titles, grouped by what they did on them; Jenn Gotzon shares the most, 2.

Actors

Cinematographers

Producers

Mixed roles