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MovieCove

Daniele Campelli

Editor

Works as
Editor
Titles
4 on MovieCove

What are Daniele Campelli's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Themes

share of theme weight
Survival
50%
Bonds
25%
Society
16%
Morality
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 2

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Gentle 0 · Charged 2 · Intense 2

Steady 1 · Shifting 3 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 1

Slow burn 0 · Even-paced 4 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2

Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Dread
2
Joyful
1
Warm
1
Absurd
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Daniele Campelli's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Daniele Campelli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Not Scream(2018)

    Editor

    Midcredits score: 1st percentile of all films (provisional, few ratings)
  • Dracula 3D(2012)

    Editor

    Midcredits score: 1st percentile of all films
  • Noah's Ark(2007)

    Editor

    Midcredits score: 20th percentile of all films
  • Anime perse(2006)

    Editor

    Midcredits score: 29th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 2006 to 2018.

By role

only this rolewith another role
Editing4 of 4: 4 only editing, 0 with another role

By decade

2000s2 · crew2010s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Daniele Campelli's films land?

Their typical MovieCove film has a Midcredits score in the 11th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 10th percentile for acclaim.

Acclaim · how much people like their films

10thpercentile
Typical film, the median of 4

Approval · how many liked their films

12thpercentile
Typical film, the median of 4

Reach · how many have seen their films

56thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 25th to 49th1
  • Below 25th3

Reviewers score the pacing 42/100 in their films, across 3 reviewed titles; fans 50, detractors 25. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Daniele Campelli work with?

People who share at least 2 of Daniele Campelli's MovieCove titles, grouped by what they did on them; Antonio Tentori shares the most, 2.

Writers

Producers