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Rob Paris

Rob Paris

Producer

Producer Rob Paris began his career as a literary agent at Agency for the Performing Arts and later joined Creative Artists Agency where he represented a wide range of award winning writers, directors and producers. While in the representation business, Paris packaged and arranged finance for dozens of iconic projects, including Scream, I Know What You Did Last Summer, Dawson's Creek, Donnie Darko, One Hour Photo and The Day After Tomorrow, which grossed over $500 million world wide. After a decade in the representation business Paris formed Mission Entertainment, a development fund backed by Comcast/Spectacor CEO Ed Snider. As head of development he acquired Whip It! a book proposal he packaged and developed as a directing vehicle for Drew Barrymore. Mandate Pictures and Fox Searchlight released the film which starred Barrymore, Ellen Page, Kristin Wiig, Jimmy Fallon and Juliette Lewis. Paris later launched his company ParisFilm, Inc. and acquired spec screenplay The Maiden Heist which attracted an ensemble cast of Oscar® winners and nominees, including Morgan Freeman, Christopher Walken, William H. Macy and Marcia Gay Harden. The film was financed by Yari Film Group and acquired by Sony Pictures Worldwide. Shortly after, ParisFilm, Inc. launched production on Black List comedy Dirty Girl with Juno Temple, Milla Jovovich, William H. Macy, Mary Steenburgen, Dwight Yoakam and Tim McGraw. The Weinstein Company outbid an aggressive field of buyers at the Toronto International Film Festival and released the picture in 2011, the same year Daily Variety placed Rob on its distinguished list of "10 Producers to Watch." That same year Paris formed Crime Scene Pictures, a finance and production company backed by private equity from Singapore and Indonesia. Within weeks of its launch Paris assembled the financing and produced a remake of Gambit written by Academy Award winners Joel & Ethan Coen and starring Academy Award winner Colin Firth, Cameron Diaz Alan Rickman and Stanley Tucci. CBS Films preemptively acquired US distribution rights at the European Film Market in Berlin. In 2013 Paris wrapped production on Everly, an action tour de force starring Academy Award nominee Salma Hayek. Dimension & RADiUS-TWC preemptively acquired domestic distribution rights at the American Film Market that same year. Paris recently returned to the world of horror, producing back to back films with writer/director Osgood Perkins. The Blackcoat's Daughter sold to A24 amidst competitive bidding at the Toronto International Film Festival and I Am the Pretty Thing That Lives in the House was preemptively acquired by Netflix immediately thereafter.

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Biography from IMDb.

Works as
Producer
Titles
12 on MovieCove · 15 credits in all
TMDB popularity, last 157 days to Oct 28Down 28% in 30 days

What are Rob Paris' films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 7 · Serious 0 · Dark 5

A split, not a type: Grounded 7 · Stylized 3 · Heightened 2

Gentle 3 · Charged 6 · Intense 3

A split, not a type: Steady 7 · Shifting 3 · Whiplash 2

A split, not a type: Straight-faced 5 · Some laughs 3 · Funny 4

Slow burn 5 · Even-paced 6 · Relentless 1

A split, not a type: Casual 6 · Engaged 3 · Full focus 3

A split, not a type: Resolved 7 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
6
Tense
5
Dread
3
Melancholic
5
Absurd
3
Other
11

How their films end · 3 with a twist

  • Happy4
  • Bittersweet3
  • Tragic2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rob Paris' films?

As of October 24, 2026, 11 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Rob Paris' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 12 with a MovieCove page.

  • The Dink(2026)

    Producer

    Midcredits score: 42nd percentile of all films
  • Nutcrackers(2024)

    Producer

    Midcredits score: 28th percentile of all films
  • The Mistress(2022)

    Producer

    Midcredits score: 6th percentile of all films
  • Taurus(2022)

    Producer

    Midcredits score: 33rd percentile of all films
  • Please Baby Please(2022)

    Producer

    Midcredits score: 40th percentile of all films
  • The Last Laugh(2019)

    Producer

    Midcredits score: 26th percentile of all films
  • Midcredits score: 46th percentile of all films
  • Midcredits score: 10th percentile of all films
  • Everly(2014)

    Producer

    Midcredits score: 18th percentile of all films
  • Gambit(2012)

    Producer

    Midcredits score: 28th percentile of all films
  • Dirty Girl(2010)

    Producer

    Midcredits score: 59th percentile of all films
  • The Maiden Heist(2009)

    Producer

    Midcredits score: 38th percentile of all films
  • A Tree Is Blue (not in the MovieCove catalog yet)

    Producer

  • Acolyte (not in the MovieCove catalog yet)

    Producer

  • Attach (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 15 titles, 12 of them dated from 2009 to 2026.

By role

only this rolewith another role
Producing15 of 15: 15 only producing, 0 with another role · typical Midcredits score31st

By decade

2000s1 · crew2010s6 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Rob Paris' films land?

Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 12

Approval · how many liked their films

33rdpercentile
Typical film, the median of 12

Reach · how many have seen their films

90thpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 50th to 74th1
  • 25th to 49th8
  • Below 25th3

Shape of the crowd

6 of their 12 titles are Mixed.

  • Universally Panned1
  • Divisive1
  • Crowd Pleaser1
  • Broadly Agreed3
  • Mixed6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Rob Paris' work okay for kids?

Across up to 10 MovieCove titles with content scores, profanity runs heavier than most films and violence & gore lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles15–85 · median 28 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity10 titles12–39 · median 33 · mildnear the median of all filmsMedian of all films: 32
Profanity6 titles33–84 · median 56 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles17–59 · median 29 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles21–84 · median 33 · mildnear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Rob Paris work with?

People who share at least 2 of Rob Paris' MovieCove titles, grouped by what they did on them; Mike Witherill shares the most, 5.

Directors

Actors

Composers, cinematographers and editors

Producers