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Ianne Oandasan

Ianne Oandasan

Producer

Works as
Producer
Titles
13 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Ianne Oandasan's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy5 titlesTypical Midcredits score: 58th percentile, at or above their average across these genres
: browse their Comedy movies
Drama5 titlesTypical Midcredits score: 45th percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
56%
Self
15%
Morality
12%
Society
9%
Survival
4%
Ideas
2%
Power
2%
Romantic love6 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeParenthood2 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this themeSacrifice2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 5 · Serious 3 · Dark 5

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 10 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 5 · Charged 3 · Intense 5

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

A split, not a type: Steady 6 · Shifting 7 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 7 · Some laughs 5 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 8 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 6 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
8
Romantic
5
Tense
4
Bittersweet
5
Joyful
3
Other
9

How their films linger

Feel-good5 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy2
  • Bittersweet8
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ianne Oandasan's films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Ianne Oandasan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • The Last Beergin(2025)

    Producer

    Midcredits score: 77th percentile of all films

  • Family of Two (A Mother and Son Story)(2023)

    Producer

    Midcredits score: 45th percentile of all films

  • Martyr or Murderer(2023)

    Producer

    Midcredits score: 33rd percentile of all films

  • Us x Her(2022)

    Producer

    Midcredits score: 36th percentile of all films

  • More Than Blue(2021)

    Producer

    Midcredits score: 61st percentile of all films

  • The Housemaid(2021)

    Producer

    Midcredits score: 29th percentile of all films

  • Just a Stranger(2019)

    Producer

    Midcredits score: 39th percentile of all films

  • Miracle in Cell No. 7(2019)

    Producer

    Midcredits score: 93rd percentile of all films

  • Amnesia Love(2018)

    Producer

    Midcredits score: 54th percentile of all films (provisional, few ratings)

  • 100 Poems for Stella(2017)

    Producer

    Midcredits score: 74th percentile of all films

  • Elemento(2016)

    Producer

    Midcredits score: 38th percentile of all films

  • Your Place or Mine?(2015)

    Producer

    Midcredits score: 35th percentile of all films (provisional, few ratings)

  • Diary of an Ugly(2014)

    Producer

    Midcredits score: 58th percentile of all films

Career shape

Across their 13 MovieCove titles from 2014 to 2025.

Biggest box office

Diary of an Ugly (2014)

$2.7M worldwide

Highest rated

Miracle in Cell No. 7 (2019)

Midcredits 93rd

Most popular right now

The Housemaid (2021)

By role

only this rolewith another role
Producing13 of 13: 13 only producing, 0 with another role · typical Midcredits score45th

By decade

2010s7 · crew2020s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Ianne Oandasan's films land?

Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 13

Approval · how many liked their films

52ndpercentile
Typical film, the median of 13

Reach · how many have seen their films

55thpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th7

Shape of the crowd

8 of their 13 titles are Divisive.

  • Loved with Detractors1
  • Divisive8
  • Cult Classic2
  • Crowd Pleaser1
  • Mixed1

Most divisive · producer

Martyr or Murderer (2023)

99th percentile spread · 44% rated it 4 or lower

Most loved · producer

Miracle in Cell No. 7 (2019)

Midcredits 93rd · 79% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ianne Oandasan's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 46 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ianne Oandasan work with?

People who share at least 2 of Ianne Oandasan's MovieCove titles, grouped by what they did on them; June Torrejon-Rufino shares the most, 11.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers