Nobuhiro Iizuka
- Producer
- 14 on MovieCove · 23 credits in all
What are Nobuhiro Iizuka's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 0 · Dark 3
Grounded 2 · Stylized 2 · Heightened 1
Gentle 1 · Charged 1 · Intense 3
Steady 1 · Shifting 3 · Whiplash 1
Straight-faced 3 · Some laughs 1 · Funny 1
A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 2
Casual 1 · Engaged 3 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 3
Resolved 3 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet2
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Nobuhiro Iizuka's films?
As of October 24, 2026, 7 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Nobuhiro Iizuka's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 14 with a MovieCove page.

Wind Breaker(2025)
Midcredits score: 44th percentile of all films
Cloud(2024)
Midcredits score: 63rd percentile of all films
Worlds Apart(2024)
Midcredits score: 67th percentile of all films
Breakfast of the Movie (not in the MovieCove catalog yet)(2023)

Home Sweet Home (not in the MovieCove catalog yet)(2023)

Modern Love Tokyo(2022)
Midcredits score: 33rd percentile of all shows
The Fish Tale (not in the MovieCove catalog yet)(2022)

The Real Exorcist(2020)
Midcredits score: 25th percentile of all films (provisional, few ratings)
To the Ends of the Earth(2019)
Midcredits score: 59th percentile of all films
Foreboding: Serial Version (not in the MovieCove catalog yet)(2017)

Before We Vanish(2017)
Midcredits score: 62nd percentile of all films
Death Note: New Generation (not in the MovieCove catalog yet)(2016)

Their Distance (not in the MovieCove catalog yet)(2016)

ST: Aka to Shiro no Sôsa File the Movie (not in the MovieCove catalog yet)(2015)

Tokyo Tribe(2014)
Midcredits score: 62nd percentile of all films
Penance (not in the MovieCove catalog yet)(2013)

The Final Judgement (not in the MovieCove catalog yet)(2012)

Penance(2012)
Midcredits score: 55th percentile of all shows
Guilty of Romance(2011)
Midcredits score: 74th percentile of all films
Gantz: Perfect Answer(2011)
Midcredits score: 54th percentile of all films
Gantz(2010)
Midcredits score: 61st percentile of all films
Midcredits score: 46th percentile of all films
The Great Yokai War(2005)
Midcredits score: 58th percentile of all films
Career shape
A full career of 21 titles from 2005 to 2025.

Biggest box office
Gantz (2010)

Highest rated
Guilty of Romance (2011)

Most popular right now
Modern Love Tokyo (2022)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Nobuhiro Iizuka's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 12; across their 5 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 50th to 74th10
- 25th to 49th4
Shape of the crowd
7 of their 14 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser7
- Broadly Agreed2
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Nobuhiro Iizuka's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Nobuhiro Iizuka work with?
People who share at least 2 of Nobuhiro Iizuka's MovieCove titles, grouped by what they did on them; Tadashi Tanaka shares the most, 3.
Directors
- Sion SonoShared titles: Tokyo Tribe (2014), Guilty of Romance (2011)See all 2 shared titles with Sion Sono

Actors
- Ken'ichi MatsuyamaShared titles: Gantz (2010), Death Note: L Change the World (2008)See all 2 shared titles with Ken'ichi Matsuyama

Composers and editors
- Jun'ichi ItôShared titles: Tokyo Tribe (2014), Guilty of Romance (2011)See all 2 shared titles with Jun'ichi Itô

- Kenji KawaiShared titles: Gantz (2010), Death Note: L Change the World (2008)See all 2 shared titles with Kenji Kawai

Producers
- Tadashi TanakaShared titles: Tokyo Tribe (2014), Gantz (2010), Death Note: L Change the World (2008)See all 3 shared titles with Tadashi Tanaka
- Naoko KomuroShared titles: Tokyo Tribe (2014), Guilty of Romance (2011)See all 2 shared titles with Naoko Komuro
- Yoshinori ChibaShared titles: Tokyo Tribe (2014), Guilty of Romance (2011)See all 2 shared titles with Yoshinori Chiba
- Seiji OkudaShared titles: Gantz (2010), Death Note: L Change the World (2008)See all 2 shared titles with Seiji Okuda



