
Alex Weston
Alex Weston is a composer for concert works and film scores. Notable recent film scores include The "Farewell" (dir: Lulu Wang, A24), which was included on the shortlist for "Best Original Score" for the 2020 Academy Awards, "Expats" starring Nicole Kidman (dir. Lulu Wang, Amazon), "Wander Darkly"(dir: Tara Miela, Lionsgate), "The Novice" (dir: Lauren Hadaway, IFC), "Goodnight Mommy" (dir: Matt Sobel, Amazon), and "The Adults" (dir. Dustin Guy Defa, Universal). Weston's music has also been featured on "The Affair" (Showtime), "Jane Fonda in Five Acts" (HBO), the Ken Burns-produced documentary "The Emperor of All Maladies" (PBS), and various projects for NBC, Netflix, Apple, and other studios. Alex's concert works include commissions from groups such as the Lyrica Chamber Music Ensemble, ABCIrque, MADArt Creative, the Kennedy Center, the Venice Biennale, and Obie Award winning theater company 'Theater in Quarentine'. Another recent project was providing the score for the large scale public art installation "Past Deposits From a Future Yet to Come" (Hubbard / Birchler), which is screening nightly at Waterloo Park in Austin, Texas through 2030. His most recent album of chamber music, entitled "Memory Gaps", is based on a book of illustrations and short stories by author/artist Cecelia Ruiz, was released in June 2024 by Better Company Records.
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Biography from IMDb.
- Composer
- 18 on MovieCove · 24 credits in all
What are Alex Weston's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 14
Light 2 · Serious 7 · Dark 6
Grounded 13 · Stylized 1 · Heightened 1
A split, not a type: Gentle 2 · Charged 5 · Intense 8
Steady 5 · Shifting 10 · Whiplash 0
Straight-faced 12 · Some laughs 3 · Funny 0
Slow burn 9 · Even-paced 5 · Relentless 1
Casual 2 · Engaged 9 · Full focus 4
Easy watch 1 · Affecting 6 · Heavy 8
Resolved 4 · Open-ended 7 · Ambiguous 4
Moods and endings
- Happy2
- Bittersweet6
- Ambiguous7
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alex Weston's films?
As of October 24, 2026, 12 of their 18 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Alex Weston's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 18 with a MovieCove page.

Hold onto Me (not in the MovieCove catalog yet)(2026)

Afraid(2024)
Midcredits score: 11th percentile of all films
Asynchronous (not in the MovieCove catalog yet)(2024)

Expats(2023)
Midcredits score: 21st percentile of all shows
Fly(2024)
Midcredits score: 88th percentile of all films
The Adults(2023)
Midcredits score: 41st percentile of all films
Come Find Me(2021)
Midcredits score: 31st percentile of all films (provisional, few ratings)
Midcredits score: 60th percentile of all films
Goodnight Mommy(2022)
Midcredits score: 35th percentile of all films
The Novice(2021)
Midcredits score: 68th percentile of all films
Exposure(2022)
Midcredits score: 95th percentile of all films (provisional, few ratings)
Wander Darkly(2020)
Midcredits score: 38th percentile of all films
What Breaks the Ice(2020)
Midcredits score: 41st percentile of all films
How to Say I Love You at Night (not in the MovieCove catalog yet)(2020)

The Farewell(2019)
Midcredits score: 93rd percentile of all films
Samurai Marathon(2019)
Midcredits score: 49th percentile of all films
Last Supper(2018)
Midcredits score: 16th percentile of all films (provisional, few ratings)
Midcredits score: 68th percentile of all films (provisional, few ratings)
Fairfield (not in the MovieCove catalog yet)(2014)

H.(2014)
Midcredits score: 41st percentile of all films
White Reindeer(2013)
Midcredits score: 33rd percentile of all films
Keep me safe (not in the MovieCove catalog yet)(2013)
Midcredits score: 23rd percentile of all films (provisional, few ratings)The Light (not in the MovieCove catalog yet)
Career shape
A full career of 19 titles, 18 of them dated from 2013 to 2026.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alex Weston's films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 17; across their 15 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th8
- Below 25th4
Shape of the crowd
8 of their 18 titles are Mixed.
- Universally Loved1
- Divisive2
- Cult Classic1
- Crowd Pleaser3
- Broadly Agreed3
- Mixed8
Reviewers score the sound and music 56/100 in their films, across 9 reviewed titles; fans 68, detractors 43. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Alex Weston's work okay for kids?
Across up to 6 MovieCove titles with content scores, 2 of the 5 categories sit near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Alex Weston work with?
People who share at least 2 of Alex Weston's MovieCove titles, grouped by what they did on them; Michael Taylor shares the most, 3.
Directors
- David WexlerShared titles: Last Supper (2018), Vigilante: The Incredible True Story of Curtis Sliwa and the Guardian Angels (2018)See all 2 shared titles with David Wexler

Editors
- Michael TaylorShared titles: The Adults (2023), Goodnight Mommy (2022), The Farewell (2019)See all 3 shared titles with Michael Taylor

- Bradford ColemanShared titles: Last Supper (2018), Vigilante: The Incredible True Story of Curtis Sliwa and the Guardian Angels (2018)See all 2 shared titles with Bradford Coleman
Producers
- Andrew MianoShared titles: Afraid (2024), The Farewell (2019)See all 2 shared titles with Andrew Miano

- Chris WeitzShared titles: Afraid (2024), The Farewell (2019)See all 2 shared titles with Chris Weitz

- Dan BalgoyenShared titles: Afraid (2024), The Farewell (2019)See all 2 shared titles with Dan Balgoyen

- Jason BlumShared titles: Afraid (2024), Exposure (2022)See all 2 shared titles with Jason Blum
