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Hans Eddy Schreiber

Producer

Works as
Producer
Titles
3 on MovieCove
TMDB popularity, last 37 days to Oct 26Down 29% in 30 days

What are Hans Eddy Schreiber's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
54%
Morality
26%
Society
11%
Power
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

A split, not a type: Grounded 1 · Stylized 2 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 0 · Some laughs 2 · Funny 1

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
3
Warm
3
Thrilling
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hans Eddy Schreiber's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Hans Eddy Schreiber's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

Career shape

A full career of 3 titles from 2015 to 2021.

By role

only this rolewith another role
Producing3 of 3: 3 only producing, 0 with another role

By decade

2010s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Hans Eddy Schreiber's films land?

Their typical MovieCove film has a Midcredits score in the 16th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 3

Approval · how many liked their films

10thpercentile
Typical film, the median of 3

Reach · how many have seen their films

71stpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hans Eddy Schreiber work with?

People who share at least 2 of Hans Eddy Schreiber's MovieCove titles, grouped by what they did on them; Gerrit Hermans shares the most, 3.

Writers

Actors

Composers

Producers