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Born in America and raised in Bahia Brazil... award winning writer, director R.L. Scott produced seven feature films and a large number of shorts. Before the internet was invented, he began his journey as a filmmaker at age 15, writing, directing, shooting and choreographing action scenes (on Betamax) with his friends. His motivation for becoming a visual storyteller, was to show the world the beauty, intelligence, strength and uniqueness of his culture. R.L. worked with the likes of such talent as Bill Cobbs, Costas Mandylor, Harry Lennix, Richard Gant, Sean Riggs, Victoria Rowell, Darrin Dewitt Henson, Karrueche Tran, Amin Joseph, Nicki Micheaux, Robert Miano, Adolfo "Shabba-Doo" Quinones, Alimi Ballard, R&B Superstar Mya and many others. His movies have been released theatrically in North America, Korea and Africa, as well as streaming on global platforms like Netflix, Hulu, iTunes, TV One, Playstation, Xbox and Sky... and even as far back as Blockbuster video, Hollywood video, Sam Goody, Tower Records and more. With his newest feature film "Lazarus," R.L. had begun his quest to create "Wonder Studios" a new superhero universe, populated by vast and diverse heroes of every race and creed. He died in 2022 at the age of 45.

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Biography from TMDB.

Works as
Director, writer, cinematographer, producer and editor
Titles
5 on MovieCove · 8 credits in all
TMDB popularity, last 38 days to Oct 27Down 15% in 30 days

What are R.L. Scott's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 1 · Heightened 0

Gentle 2 · Charged 2 · Intense 1

Steady 2 · Shifting 2 · Whiplash 1

Straight-faced 4 · Some laughs 1 · Funny 0

A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 1

Casual 4 · Engaged 1 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Thrilling
1
Absurd
1
Hopeful
1
Melancholic
1
Other
2

How their films end

  • Happy2
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch R.L. Scott's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for R.L. Scott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 5 with a MovieCove page.

  • Ready, Fire, Aim (not in the MovieCove catalog yet)(2022)

    Director · Cinematographer · Editor · Executive Producer · Writer

  • Lazarus(2021)

    Director · Cinematographer · Producer · Writer

    Midcredits score: 6th percentile of all films
  • Call Me King(2017)

    Director · Cinematographer · Producer · Writer

    Midcredits score: 32nd percentile of all films
  • I Think My Babysitter Is an Alien(2015)

    Director · Cinematographer

    Midcredits score: 21st percentile of all films
  • Midcredits score: 27th percentile of all films
  • Smuggler (not in the MovieCove catalog yet)(2014)

    Director · Writer

  • Champion Road: Arena(2010)

    Director · Cinematographer · Editor · Executive Producer · Writer

    Midcredits score: 21st percentile of all films (provisional, few ratings)
  • Champion Road (not in the MovieCove catalog yet)(2008)

    Director · Cinematographer · Editor · Producer · Stunts · Writer

Career shape

A full career of 8 titles from 2008 to 2022.

By role

only this rolewith another role
Directing8 of 8: 1 only directing, 7 with another role · typical Midcredits score21stWriting6 of 8: 0 only writing, 6 with another roleProducing4 of 8: 0 only producing, 4 with another roleCinematography4 of 8: 0 only cinematography, 4 with another roleEditing2 of 8: 0 only editing, 2 with another roleOther crew1 of 8: 0 only other crew, 1 with another role

8 titles, 7 with more than one role — directing and writing overlap on 6 of them.

By decade

2000s1 · crew2010s5 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do R.L. Scott's films land?

Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 22nd percentile for acclaim.

Acclaim · how much people like their films

22ndpercentile
Typical film, the median of 5

Approval · how many liked their films

23rdpercentile
Typical film, the median of 5

Reach · how many have seen their films

29thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 25th to 49th2
  • Below 25th3

Reviewers score the atmosphere 45/100 and the pacing 32/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does R.L. Scott work with?

People who share at least 2 of R.L. Scott's MovieCove titles, grouped by what they did on them; Gabrielle Dennis shares the most, 2.

Actors

Producers