Laron Austin

What are Laron Austin's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Laron Austin's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Beat Makers (2007) · director, editor · free
  • Beauty and the Beholder (2018) · director, writer, producer · free
  • Blackhats (2015) · director, producer, editor · free
• Prime Video2 titles, browse their movies on this service
  • Full Count (2019) · producer, editor · free
  • Blackhats (2015) · director, producer, editor

Subscription and free streaming for Laron Austin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 4 with a MovieCove page.

• 

  Full Count(2019)

  Co-Producer · Editor

  Midcredits score: 38th percentile of all films38^th
• 

  Beauty and the Beholder(2018)

  Director · Producer · Writer

  Midcredits score: 19th percentile of all films19^th
• 

  Cruiser (not in the MovieCove catalog yet)(2016)

  Co-Producer
• 

  Blackhats(2015)

  Director · Editor · Producer

  Midcredits score: 12th percentile of all films (provisional, few ratings)~12^th
• 

  Beat Makers(2007)

  Director · Editor

  Midcredits score: 28th percentile of all films (provisional, few ratings)~28^th

Career shape

A full career of 5 titles from 2007 to 2019.

Biggest box office

Blackhats (2015)

$3.2K worldwide

Highest rated

Full Count (2019)

Midcredits 38^th

How do Laron Austin's films land?

Their typical MovieCove film has a Midcredits score in the 24^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 23^rd percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Mixed.

13

• Cult Classic1
• Mixed3

Most divisive · director, editor

Beat Makers (2007)

89^th percentile spread · 64% rated it 4 or lower

Most loved · producer, editor

Full Count (2019)

Midcredits 38^th · 44% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Laron Austin work with?

People who share at least 2 of Laron Austin's MovieCove titles, grouped by what they did on them; Eddie Davis Singleton shares the most, 4.