Nate Nash

What are Nate Nash's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nate Nash's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, on HBO Max (3).

• HBO Max3 titles, browse their movies on this service
  • Any One of Us (2019) · producer
  • Dear Rider: The Jake Burton Story (2021) · producer
  • Here to Climb (2024) · producer

Subscription and free streaming for Nate Nash's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Here to Climb(2024)

  Producer

  Midcredits score: 36th percentile of all films36^th
• 

  Dear Rider: The Jake Burton Story(2021)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  Any One of Us(2019)

  Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Attack of La Niña(2011)

  Cinematographer

  Midcredits score: 74th percentile of all films74^th
• 

  The Way I See It(2010)

  Cinematographer

  Midcredits score: 74th percentile of all films (provisional, few ratings)~74^th

Career shape

Across their 5 MovieCove titles from 2010 to 2024.

Biggest box office

Dear Rider: The Jake Burton Story (2021)

$552 worldwide

Highest rated

Dear Rider: The Jake Burton Story (2021)

Midcredits 91^st

Most popular right now

Attack of La Niña (2011)

How do Nate Nash's films land?

Their typical MovieCove film has a Midcredits score in the 74^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 79^th percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Universally Loved.

2111

• Universally Loved2
• Loved with Detractors1
• Divisive1
• Mixed1

Most divisive · cinematographer

The Way I See It (2010)

92^nd percentile spread · 29% rated it 4 or lower

Most loved · producer

Any One of Us (2019)

Midcredits 93^rd · 78% liked

Reviewers score the cinematography 77/100 in their films, across 3 reviewed titles. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nate Nash work with?

People who share at least 2 of Nate Nash's MovieCove titles, grouped by what they did on them; Ben Bryan shares the most, 3.