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Thomas Trælnes

Editor

Works as
Editor
Titles
5 on MovieCove

What are Thomas Trælnes' films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
29%
Self
22%
Morality
15%
Society
15%
Survival
10%
Ideas
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 2

Grounded 2 · Stylized 2 · Heightened 0

A split, not a type: Gentle 1 · Charged 1 · Intense 2

Steady 3 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1

A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 1

Casual 3 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Dread
2
Melancholic
3
Joyful
1
Hopeful
1
Other
4

How their films end · 1 with a twist

  • Happy2
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Thomas Trælnes' films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Thomas Trælnes' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • Dark Windows(2023)

    Editor

    Midcredits score: 6th percentile of all films
  • Delete Me(2021)

    Show Editor

    Midcredits score: 9th percentile of all shows
  • Cattle Hill(2018)

    Editor

    Midcredits score: 26th percentile of all films
  • Haunted(2017)

    Editor

    Midcredits score: 42nd percentile of all films
  • Midcredits score: 85th percentile of all films

Career shape

Across their 5 MovieCove titles from 2017 to 2023.

By role

only this rolewith another role
Editing5 of 5: 5 only editing, 0 with another role · typical Midcredits score26th

By decade

2010s3 · crew2020s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Thomas Trælnes' films land?

Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 4

Approval · how many liked their films

42ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

66thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 25th to 49th2
  • Below 25th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Thomas Trælnes work with?

People who share at least 2 of Thomas Trælnes' MovieCove titles, grouped by what they did on them; Jonas Aarø shares the most, 3.

Editors

Producers