Natalie Thomas

Actor, also writer · Crescent City, California, USA

Natalie Thomas was born in Crescent City, California, and spent her childhood training as a ballet dancer. At nineteen, she traveled to Europe to work with Nederlands Dans Theater II and later with William Forsythe's Ballet Frankfurt. She toured internationally with dance-theater repertoire, performing at renowned venues such as the Brooklyn Academy of Music and Sadler's Wells. Natalie's exposure to text in dance-theater productions sparked an interest in acting, prompting her move to New York City to study the Meisner Method. She went on to work in film, television, and theater. Her stage highlights include collaborations with The Wooster Group, multiple productions with director Jay Scheib, and a year-long run as Lady Macbeth in Punchdrunk's acclaimed production Sleep No More. Natalie's first feature film, Month To Month, written and directed by Wes Hopper, earned her the Best Supporting Actress award at the Iowa Film Festival. She later starred in Everything Is Gonna Be Pink, directed by Academy Award-nominated Roni Ezra. She also appeared in Portraits in Dramatic Time, an installation by David Michalek, alongside William H. Macy, Alan Rickman, and Holly Hunter. Expanding into creating her own work, Natalie began writing and producing with Brock Labrenz's company An Films, making projects such as Heute Nacht, 1901, and Any Other Normal. After relocating to Cologne, Germany, Natalie studied screenwriting at the International Film School Cologne. Before graduating, she was hired by Bildundtonfabrik to write for the second season of the award-winning Netflix series How To Sell Drugs Online (Fast). Natalie went on to collaborate with Bildundtonfabrik for six years, writing numerous projects for streamers including Netflix and Disney+.

What are Natalie Thomas' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight

Self

43%

Bonds

32%

Morality

13%

Power

7%

Society

5%

Family bonds2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense

3

Absurd

3

Warm

2

Dread

1

Triumphant

1

Other

2

How their films linger

Bittersweet2 Fun2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Natalie Thomas' films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Natalie Thomas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 9 with a MovieCove page.

National Theatre Live: Electra/Persona (not in the MovieCove catalog yet)(2026)
as Electra (Elisabeth) Understudy
National Theatre Live: Dear Octopus (not in the MovieCove catalog yet)(2024)
as Gertrude, the parlourmaid
Pauline(2024)
Show Writer
Midcredits score: 15th percentile of all shows
Buba(2022)
Writer
Midcredits score: 34th percentile of all films
How to Sell Drugs Online (Fast)(2019)
Show Writer
Midcredits score: 85th percentile of all shows
Blindspot(2015)
Show 1 episode · as Rebecca Fine
Midcredits score: 68th percentile of all shows
ROVER: Or Beyond Human - The Venusian Future and the Return of the Next Level(2013)
as Suzy
Midcredits score: 23rd percentile of all films (provisional, few ratings)
Amateurs (not in the MovieCove catalog yet)(2013)
as Ashley
Much Ado About Nothing(2011)
as Margaret
Midcredits score: 99th percentile of all films
Month to Month (not in the MovieCove catalog yet)(2011)
as Brie
Desperate Romantics(2009)
Show 6 episodes · as Jane Burden
Midcredits score: 71st percentile of all shows
Law & Order: Special Victims Unit(1999)
Show 1 episode · as Angela
Midcredits score: 88th percentile of all shows
Law & Order(1990)
Show 1 episode · as Jenna Smythe
Midcredits score: 79th percentile of all shows

Career shape

Star power in the 22^nd percentile of 239,109 people with a billed film role, over a full career of 10 titles from 1990 to 2026.

Highest rated

How to Sell Drugs Online (Fast) (2019)

Midcredits 85^th

Film career

2011Screen debut· Much Ado About Nothing

By role

only this rolewith another role

Acting10 of 10 · 75^th

By decade

1990s2 · acting2000s1 · acting2010s5 · acting2020s2 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.