- Composer and director
- 4 on MovieCove · 12 credits in all
What are Alies Sluiter's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 2 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
A split, not a type: Gentle 0 · Charged 2 · Intense 1
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 0 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alies Sluiter's films?
As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Prime Video (3).
Subscription and free streaming for Alies Sluiter's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 4 with a MovieCove page.

Myth (not in the MovieCove catalog yet)(2022)

Aftertaste(2021)
Midcredits score: 28th percentile of all shows
Ayaan (not in the MovieCove catalog yet)(2020)

I Am Elizabeth Smart(2017)
Midcredits score: 60th percentile of all films
Garfield (not in the MovieCove catalog yet)(2017)

Sugar Mountain(2016)
Midcredits score: 24th percentile of all films
The Lookalike(2014)
Midcredits score: 32nd percentile of all films
Blinder (not in the MovieCove catalog yet)(2013)

Mine Games (not in the MovieCove catalog yet)(2012)

Summer Coda (not in the MovieCove catalog yet)(2010)

Everything We Are (not in the MovieCove catalog yet)(2008)

The Bridge (not in the MovieCove catalog yet)(2006)
Career shape
A full career of 11 titles from 2006 to 2022.
How do Alies Sluiter's films land?
Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 33rd percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
2 of their 4 titles are Mixed.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alies Sluiter work with?
People who share at least 2 of Alies Sluiter's MovieCove titles, grouped by what they did on them; Richard Gray shares the most, 2.
Directors
- Richard GrayShared titles: Sugar Mountain (2016), The Lookalike (2014)See all 2 shared titles with Richard Gray

Producers
- Darcy WeddShared titles: Sugar Mountain (2016), The Lookalike (2014)See all 2 shared titles with Darcy Wedd
- Jamie HougeShared titles: Sugar Mountain (2016), The Lookalike (2014)See all 2 shared titles with Jamie Houge
- Kaine HarlingShared titles: Sugar Mountain (2016), The Lookalike (2014)See all 2 shared titles with Kaine Harling

- Kim BarnardShared titles: Sugar Mountain (2016), The Lookalike (2014)See all 2 shared titles with Kim Barnard
