Christine Mattsson
- Producer
- 3 on MovieCove
What are Christine Mattsson's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Society.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 2 · Stylized 1 · Heightened 0
Gentle 0 · Charged 3 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 0 · Heavy 3
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Christine Mattsson's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on Netflix (1).
Subscription and free streaming for Christine Mattsson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Descendant(2022)
Midcredits score: 82nd percentile of all films
The Great Invisible(2014)
Midcredits score: 74th percentile of all films
Be Here to Love Me(2004)
Midcredits score: 96th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2004 to 2022.
How do Christine Mattsson's films land?
Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 86th percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
1 of their 3 titles is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Christine Mattsson work with?
People who share at least 2 of Christine Mattsson's MovieCove titles, grouped by what they did on them; Margaret Brown shares the most, 3.
Directors
- Margaret BrownShared titles: Descendant (2022), The Great Invisible (2014), Be Here to Love Me (2004)See all 3 shared titles with Margaret Brown
Producers
- Louis BlackShared titles: Descendant (2022), The Great Invisible (2014), Be Here to Love Me (2004)See all 3 shared titles with Louis Black
- Diane WeyermannShared titles: Descendant (2022), The Great Invisible (2014)See all 2 shared titles with Diane Weyermann
- Jeff SkollShared titles: Descendant (2022), The Great Invisible (2014)See all 2 shared titles with Jeff Skoll
- Kyle MartinShared titles: Descendant (2022), The Great Invisible (2014)See all 2 shared titles with Kyle Martin