Yao Lu
- Producer
- 3 on MovieCove
What are Yao Lu's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 1 · Stylized 1 · Heightened 1
Gentle 0 · Charged 1 · Intense 2
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 2
Resolved 0 · Open-ended 1 · Ambiguous 2
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Yao Lu's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Yao Lu's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
She's Got No Name(2024)
Midcredits score: 19th percentile of all films
Dearest(2014)
Midcredits score: 92nd percentile of all films
The Guillotines(2012)
Midcredits score: 15th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2012 to 2024.
How do Yao Lu's films land?
Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 26th percentile for acclaim.
- 75th and up1
- Below 25th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Universally Loved1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Yao Lu work with?
People who share at least 2 of Yao Lu's MovieCove titles, grouped by what they did on them; Peter Ho-Sun Chan shares the most, 3.
Directors
- Peter Ho-Sun ChanShared titles: She's Got No Name (2024), Dearest (2014), The Guillotines (2012)See all 3 shared titles with Peter Ho-Sun Chan
Producers
- Ada Yeuk-Jing FooShared titles: She's Got No Name (2024), Dearest (2014)See all 2 shared titles with Ada Yeuk-Jing Foo
- Hong QinShared titles: Dearest (2014), The Guillotines (2012)See all 2 shared titles with Hong Qin
- Yuet-Jan HuiShared titles: Dearest (2014), The Guillotines (2012)See all 2 shared titles with Yuet-Jan Hui
