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Jeremy Slater

Jeremy Slater

Writer and producer · Born October 12, 1978 (48) · USA

Jeremy Slater (born October 12, 1978) is an American writer and producer of film and television, known for his work on films such as Fantastic Four, Death Note, Godzilla x Kong: The New Empire, and Mortal Kombat II, and on television series such as The Umbrella Academy and The Exorcist, which Slater created, and on which he served as executive producer. He is the head writer and executive producer for the Disney+ miniseries Moon Knight. Description above from the Wikipedia article Jeremy Slater, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
October 12, 1978 (48)
From
USA
Works as
Writer and producer
Titles
17 on MovieCove · 22 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Up 27% in 30 days

What are Jeremy Slater's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Horror3 titlesTypical Midcredits score: 19th percentile
: browse their Horror movies
Action2 titlesTypical Midcredits score: 53rd percentile, at or above their average across these genres
: browse their Action movies
Animation2 titlesTypical Midcredits score: 47th percentile, at or above their average across these genres
: browse their Animation movies
Crime2 titlesTypical Midcredits score: 15th percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
26%
Bonds
23%
Survival
20%
Power
14%
Morality
12%
Society
5%
Family bonds4 titles, browse their movies with this themeTrauma3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themePower2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 2 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 4 · Heightened 3

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 7 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 2 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 4 · Relentless 4

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 7 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 2 · Heavy 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Dread
4
Thrilling
3
Hopeful
2
Absurd
2
Other
8

How their films linger

Unsettling5 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy3
  • Bittersweet3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jeremy Slater's films?

As of October 24, 2026, 13 of their 17 MovieCove titles stream on a subscription or free service, most on HBO Max (4).

Also on these channels

Subscription and free streaming for Jeremy Slater's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 17 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Coyote vs. Acme(2026)

    Screenstory

    Midcredits score: 93rd percentile of all films

  • Mortal Kombat II(2026)

    Executive Producer · Writer

    Midcredits score: 57th percentile of all films

  • Superman(2025)

    Thanks

    Midcredits score: 85th percentile of all films

  • Locked(2025)

    Thanks

    Midcredits score: 26th percentile of all films

  • Godzilla X Kong: The New Empire(2024)

    Screenplay

    Midcredits score: 48th percentile of all films

  • Moon Knight(2022)

    Show 6 episodes · Creator · Executive Producer · Story · Teleplay · Writer

    Midcredits score: 69th percentile of all shows

  • Nightbooks(2021)

    Thanks

    Midcredits score: 39th percentile of all films

  • The Suicide Squad(2021)

    Thanks

    Midcredits score: 86th percentile of all films

  • Brightburn(2019)

    Thanks

    Midcredits score: 42nd percentile of all films

  • The Umbrella Academy(2019)

    Show 20 episodes · Executive Producer · Production Consultant · Teleplay

    Midcredits score: 87th percentile of all shows

  • Death Note(2017)

    Screenplay

    Midcredits score: 3rd percentile of all films

  • Stephanie(2017)

    Executive Producer

    Midcredits score: 35th percentile of all films

  • Pet(2016)

    Writer

    Midcredits score: 27th percentile of all films

  • The Exorcist(2016)

    Show 20 episodes · Creator · Executive Producer · Story · Teleplay · Writer

    Midcredits score: 85th percentile of all shows

  • Visions(2015)

    Executive Producer

    Midcredits score: 19th percentile of all films

  • Fantastic Four(2015)

    Screenplay

    Midcredits score: 1st percentile of all films

  • The Lazarus Effect(2015)

    Screenplay

    Midcredits score: 12th percentile of all films

  • Faun (not in the MovieCove catalog yet)

    Screenplay

  • Mortal Kombat III (not in the MovieCove catalog yet)

    Writer

  • Summoner (not in the MovieCove catalog yet)

    Director · Writer

  • They Found Us (not in the MovieCove catalog yet)

    Writer

  • Thread: An Insidious Tale (not in the MovieCove catalog yet)

    Director · Writer

Career shape

A full career of 22 titles, 17 of them dated from 2015 to 2026.

Biggest box office

Godzilla X Kong: The New Empire (2024)

$572M worldwide

Highest rated

Coyote vs. Acme (2026)

Midcredits 93rd

By role

only this rolewith another role
Directing2 of 22: 0 only directing, 2 with another roleWriting15 of 22: 9 only writing, 6 with another role · typical Midcredits score53rdProducing6 of 22: 2 only producing, 4 with another role · typical Midcredits score63rdOther crew8 of 22: 5 only other crew, 3 with another role · typical Midcredits score77th

22 titles, 6 with more than one role — writing and other crew overlap on 3 of them.

By decade

2010s9 · crew2020s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jeremy Slater's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 14; across their 9 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 9

Approval · how many liked their films

23rdpercentile
Typical film, the median of 9

Reach · how many have seen their films

97thpercentile
Typical film, the median of 9

Midcredits score across 17 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th6
  • Below 25th4

Shape of the crowd

6 of their 17 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser6
  • Broadly Agreed5
  • Mixed4

Most divisive · writer

Death Note (2017)

64th percentile spread · 53% rated it 4 or lower

Most loved · writer

Coyote vs. Acme (2026)

Midcredits 93rd · 81% liked

Reviewers score the dialogue 41/100 and the plot and story 39/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jeremy Slater's work okay for kids?

Across up to 10 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films and sex & nudity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles54–89 · median 65 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles9–37 · median 16 · mildlighter than most filmsMedian of all films: 32
Profanity9 titles31–85 · median 38 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs9 titles4–39 · median 31 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense9 titles47–76 · median 62 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jeremy Slater work with?

People who share at least 2 of Jeremy Slater's MovieCove titles, grouped by what they did on them; Jason Blum shares the most, 3.

Directors

Cinematographers

Producers